The double session is for families who really want to take time to get that perfect family photo.  This session is 1.5-2 hours long.  This gives you lots of time to focus on each shot, outfit changes, and even explore multiple locations.  Door County is such a beautiful place.  We have so many great photo locations and a double session allows you to get a great variety of backdrops for your family photos.
If you notice that you aren't getting the bride and groom to relax and interact with each other while you're taking photos, the best thing you can do is to switch to a longer lens (like 200mm) and scoot way back.  The couple will naturally begin to interact with each other and you'll be able to get the shot since you're out of their way.  This is my favorite way to START a wedding shoot of the couple.  By starting far away, they feel like it's just them and they can get used to the camera from a distance.
Equally important to whether we eat is when we eat. The best time for us to take a few minutes to get a few calories down is when you (the bride+groom) are eating. Why? Because that is normally the only time of day that people don’t really want photos (pictures of people eating are probably the least flattering photos we could possibly take) and when no other events are happening. If we have to wait until after the guests are all served, you will be done eating and ready for toasts, dances, mingling, and other things that make for great photos! So, if possible, let your caterer/coordinator know that we will need to eat at the same time as you and schedule that into your wedding day photography timeline in order to make sure we don’t miss anything.
When most people think about hiring a professional photographer, they don’t consider their home as the backdrop they are looking for. But why not??? Beautiful portraits in the place you spend the most time as a family offers the most unique atmosphere. I would suggest this only if you love the decor in your home, and it is free of clutter. I often like to create activities such as hanging out on the couches, sitting around the piano, jumping on the trampoline, or even having a cookie making event in the kitchen. Possibilities are endless–what does your family love to do at home together?

@Leslie yes it is certainly easier to get people at ease outdoors without the studio lights and all the stuff that goes with it that can be intimidating. Try putting on some soft music that's relaxing, or some funky music to get people a bit more relaxed. The best way to get people to pose more easily is to talk to them! It's that simple. Stop focusing on the technical stuff, do that before they get in front of the camera. Then interact and talk to them. Ask them about them, their day, etc. It's also easier to show people how to pose by doing it first in their place, then have them repeat it. Hope that helps.
You should also meet them in person. Some important questions to ask in a face-to-face interview may include: how would they describe their wedding photography style? (i.e. photojournalistic, formal, documentary, or creative); will they be the one photographing your wedding or do they have an assistant?; will both people be taking pictures during the day?; do they have back up plan in case of an emergency?; are you comfortable with their emergency plan?; what wedding photography packages do they have?; do they shoot in color or black & white? You should ask if they have a generic schedule for each wedding (portraits before the ceremony or after), and if they are they flexible and open to suggestions. You should even ask to see a contract.
The other option for remotes is a physical radio transmitter that you plug into your camera (the receiver plugs into the camera, and you hold the remote transmitter). After trying several different wireless remotes from eBay that all broke, I finally purchased the Vello ShutterBoss. This remote is well built, and has been super reliable. One of the things I really like about it is that the cable that plugs from the wireless receiver into your camera can be swapped out depending on what brand of camera you’re using. So you don’t need to buy a new wireless remote for every different camera system you have (just the cable). Also if the battery dies in the receiver, you can plug the cable directly into the remote transmitter. The Vello ShutterBoss is a bit on the pricey side for a remote ($99), but it will probably be the last wireless remote you ever need to buy.
[GIVEAWAY] I’m excited to announce that I’m collaborating with @cansoninfinity to give away a print of one of my newborn photos, as well as a pack of my favourite Canson® Infinity Rag Photographique! To enter, simply follow @cansoninfinity, like this post, and leave a comment below letting me know that you’ve completed all of the steps. Entries close June 21st at 23:59 AEST, with the winner being picked the following week a random draw 😃
An experience that is aimed to be “stress-free” for you as a parent.  I allow your children to explore, roam and experience the environment around them – both for the purpose of putting ourselves in the best position to get the most out of your time with me, but to also provide you with photographs that capture the natural essence of what makes your children and your family “who you are”
The absolute beauty of digital photography is that you can shoot and shoot and shoot. It might be tempting to delete images that don’t work right away but just hold fire. There is plenty of time for culling in post-production. You don’t need to add another job on the wedding day. Additionally, you have to think that images can be manipulated in the editing, whether that’s cropping or sharpening slightly. Another point is that your mistakes allow you to see where you went wrong and help you to improve.
You can also design a digital photo book to commemorate special events. Photo book-creation sites allow you to put as little or as much effort and creativity into the process as you like -- offering numerous design choices for those who want a hands-on experience or prepackaged options if you're short on time or have a large number of images to include in a single project.

Once your session is booked, we will have a phone consultation so that I can get to know you and your style, as well as your hopes and dreams for your shoot! I want your session to be as uniquely you as we can. We will discuss location - do you want dreamy backlit field images, or are you an uptown girl who likes to dress up in the city, want an editorial shoot? We’ll also talk about styling, outfit choices, accessories, hair and makeup, etc.to match your location choice.  You will then receive a beautiful Welcome Packet from me in the mail that covers everything you could ever think of. It even has a checklist for you for session day!

In addition to this tutorial, if you want all the info you need in one simple package with lifetime access, check out our Newborn Photography Workshop for the On-Location Photographer which Cole and I have spent months putting together all the necessary knowledge & tools to be adequately prepared for the lovely world of photographing newborns.  On sale for a limited time and all workshop participants also will get Cole’s Essential Newborn Lightroom Collection Presets, the Pricing & Positioning Yourself for Success pricing handbook, exclusive discounts & a whole lot more.  Click below to see the workshop details.


Like most newborns, baby Maesie snoozed peacefully through her very first photo session, completely oblivious to the fact that she was the star of the show. Her soft, rosy cheeks and dark hair looked so beautiful with the floral headbands. What a little doll! As parents, we’re always a little nervous to see how older siblings will handle the new arrival, but Cole seemed so enamored with his baby sister already, fully ready to take on his new role as protective big brother. I love the photo of the two of them as he kissed the tip of her tiny button nose. He held her gently in his lap so he wouldn’t wake her.
*Keep Lighting Soft*Direct flash almost never works—it often fights the sense of intimacy, warmth, and naturalness that characterize the best family portraits. “I avoid direct flash like the plague,” says Sue Barr. “It will flatten an image and drain it of all spontaneity.”To work without flash, you’ll want the fastest lens you can afford. This allows you to shoot in low light, defocus (and thereby declutter) backgrounds, and use fast, kid-freezing shutter speeds.Another lighting tip: avoid direct sun. “I like shooting on cloudy days,” says Barr, “and I use gold or silver reflectors to add spark.” The latter helps lighten the shadows of wrinkles, making it helpful with older family members. Family portraiture is rewarding because it gives you the chance to celebrate something that’s life affirming and positive. As amateur photographer Jeremy Rule (www.fiickr.com/ photos/JeremyRule) of North Bend, WA—whose portrait of an extended family above —says, “Family portraits rarely focus on disease, divorce, fighting, business, addiction, or a recession. When you hand a family a portrait, you’re giving them something to celebrate, bond, and rally around.”Jeremy Rule
Sometimes I find an interesting subject, but just not an interesting place to photograph it from.  If you look at professional photos, they are very often taken from non-obvious spots.  For example, a photo of a CEO will be photographed from down low, looking up at the person to make him or her look more powerful.  Or, in the case of photographing a city, we often want to get to a very high perspective to shoot down and see the whole city.

Keep on the look out for those times in your baby’s life when he or she seems most settled and content. They may not smile yet but there are times in a daily routine which are better than others for photos. I find in Xavier’s day there are a couple of moments that are especially good. One is bath time (he loves it) and another is mid morning after he’s had half of a feed and when we let him have a little ‘play’ before finishing his feed off. These are times when we’re guaranteed to get wide open eyes and even a giggle or two.


The photographs from your wedding day will be a timeless memento of a truly special day. Wedding photographers can be very expensive, specialise in a number of different styles, and offer a variety of levels of service. Choosing a wedding photographer takes careful thought and consideration about what sort of pictures you want to document your wedding day. Do plenty of research and interview a number of candidate before making your choice.


Equipment is another factor in wedding photography cost. To get those glorious, high-definition photos, you need your pro to have top-of-the-line equipment. High-end professional cameras can run around $6,000 or even as high as $30,000 for the premium brands. Add the cost of lenses to that (an average of $1,000-$2,000 or more each) and you'll understand why a professional photographer's rates are higher than those of a hobbyist with a mid-priced camera.

DO use the best equipment possible. If necessary, rent or borrow a DSLR with great low-light capability, plus a fast f/2.8 zoom—either a 24–70mm, 70–200mm, or both. A reliable shoe-mount flash is also important, with wired or wireless provision for using it off-camera in TTL mode. Power your flash with rechargeable NiMH batteries, not lower-capacity and slow-recycling alkalines. And bring a back-up camera and flash.
While we love our wedding photos, this painting is even more special because we will be able to hang it in our house forever and look at it every day, where our wedding photos are in an album and we may not look at those that often, but the painting will be there every day for us to see and enjoy

Once everything's in one format, be steadfast in backing up your digital files, no matter the means. If you store your images on an external hard drive, DVD, or a storage Website, remember it's only effective if your images make their way onto the device. Get into the habit of backing up your photos immediately by considering it the final step of your uploading process.


Bad lighting is the enemy of good photography. Unfortunately, unless you are professionally trained, you might not know that the midday sun is not the best light for photographs. Hamilton explains, “You actually want your subjects to be in shade rather than direct sun and you also don’t want them facing the sun because this causes squinting.” Consider doing your photo sessions in early morning or late afternoon for beautiful soft light. Cloudy days are also great for photo shoots.

If you are looking for two amazing humans to treat you and your significant other with so much attention and kindness, Brandon and Gabi are the photographers for you. We are very camera shy and the thought of posing was very unnerving, luckily this is not their style! We were so amazed by their skill to capture touching moments as well as the beautiful scenery they typically work in without making you feel awkward, it's such a natural, organic, comfortable style. We had full trust and were not disappointed! You don't feel like a "client", a number, or just another wedding to check off. I wish we could have spent more time just chatting as friends would, it was honestly the best experience and our photos are absolutely stunning! Stop reading, just book 'em ya'll!
Light can either make or break a photo. The best light is natural light and the best natural light comes just after sunrise or just before sunset. Bright midday light will either produce shadows on your baby’s face or cause him to close his eyes or squint – neither result is what we want. If you’re taking photos throughout the day, try moving your baby under the shade of a tree or umbrella. Alternatively, if you’re taking photos indoors, try moving towards a window to utilize the light from outside. Note that you shouldn’t have the light come from behind your baby or you’ll end up with a silhouette. The best way to learn is by experimenting. Try different lighting techniques to discover what works best for you. When you’re indoors and you don’t have the option of using outside light – try taking advantage of nearby lamps. Explore taking photos with your flash turned off to see what results you can accomplish.
This is when communication with your client before the actual wedding dates will prove to be of the most importance. Don't go into a wedding day blindly. Some people can go into a portrait session blindly and do fine. A wedding is completely different as you need to know what's happening and when it's happening. The last thing you want to do is miss a shot due to not being told about it. On the other hand, you also need to be prepared for anything. Being able to be a flexible photographer and being completely lost are two different things. This list is just a template, so change your list based on the given situation. 
Amanda Elaine Photography is a professional portrait photographer specializing in Children, Family, & High School Seniors. We LOVE working with children! New moms can rest and relax as we photograph newborns in the comfort of their home. Our goal is always to keep photo shoots FUN while capturing special memories for your family. Let’s create beautiful artwork of your family for generations to enjoy. We are located in Aubrey, Texas serving all of North Texas.

“Kate let our son have his space but also got him back on track playing, having fun, and following her direction. Her reviews are incredible and every positive thing you read is absolutely true. Not only are the photos beautiful, they’re filled with emotion. Anyone can take a picture of you smiling at the camera but to capture personalities and emotion is a special talent.”


Communication and planning are key. Discuss in detail what is going to happen on the day, what the clients will be wearing, and what you’re going to be bringing. Coordinate their outfits with your props, or, say, the baby’s booties with their decor. You have to think of it all. Best of all, if you hit it off with the family, you’ll get that referral and your client base will grow. Speaking of which…
Today I’m sharing some tips for posing a newborn baby with a family member. We’ll cover both poses where you can see the family member, and poses that use a family member to support the baby. If you want photos of yourself and your own baby, read this info and then rope someone into taking the pictures for you. For simplicity’s sake I’ve written this post assuming you are the photographer, not the subject, but the same information applies in either situation.
2. USE A PHOTOGRAPHER. I have a real problem with people who buy themselves a nice camera and decide that means they can take their own amazing photos. Not usually true. Yes a nice camera is helpful, but for newborn shoots, there is SO much involved as far as lighting and posing goes that if you don't know what you are doing, it won't look good and it could even put the baby in danger. Before I ever started shooting newborns, I did a ton of research on best practices and safety and comfort for the baby. Plus, the pictures probably just won't look as good. 

We’ve always had photos taken when the kids were newborns, but this is the first time we’ve taken them where I knew they wouldn’t be missing someone - the first time our family has been whole & complete and it’s seriously the BEST feeling! I’m SO happy with how they turned out - I love that each of the kids is captured so well through these and I will seriously treasure them FOREVER. Now, can I please just have the largest canvas available in every single one? #shameless
The other option for remotes is a physical radio transmitter that you plug into your camera (the receiver plugs into the camera, and you hold the remote transmitter). After trying several different wireless remotes from eBay that all broke, I finally purchased the Vello ShutterBoss. This remote is well built, and has been super reliable. One of the things I really like about it is that the cable that plugs from the wireless receiver into your camera can be swapped out depending on what brand of camera you’re using. So you don’t need to buy a new wireless remote for every different camera system you have (just the cable). Also if the battery dies in the receiver, you can plug the cable directly into the remote transmitter. The Vello ShutterBoss is a bit on the pricey side for a remote ($99), but it will probably be the last wireless remote you ever need to buy.
My style could be described as vibrant, whimsical, elegant, classic and embracing genuine emotion. I love the beauty in nature and the elegance of exquisite architecture.  My goal is to provide timeless portraits, the kind that can be handed down for generations to come. I capture organic emotion within those portraits, and the outer and inner beauty within each subject.  

Bella Baby is the face of hospital baby portraiture. We bring experienced, professional photographers into the hospitals to capture your baby's first photograph with a natural, artistic style. We believe that babies look the most beautiful when being held in their parents' arms or cuddled in one of their own baby blankets. Bella Baby captures this beauty by using only "real things"...natural window light, professional photographers and professional grade SLR digital cameras.
Few styles of portrait photography are as tricky as newborn photos — the unpredictable infant is always in charge! The best way to ensure a successful photo shoot is to work with a local newborn photographer within the first two weeks of the baby’s life. Some photographers even work with hospitals to offer newborn sessions within a day of the baby’s birth. But newborn photographers usually recommend scheduling a shoot during the baby’s first two weeks of life, while the baby is still sleepy and relatively cooperative, especially for posed or studio shots. During this time, babies are easier to swaddle in blankets and dress in hats or headbands, and, because they often nap or nurse, can be staged with various props or be cuddled by their parents. For casual photos, most newborn photographers recommend shooting within the first six weeks of a baby’s life. Lifestyle portrait photography is more flexible and doesn’t require the baby to cooperate with multiple poses or props.
Leah has always had an interest in photography and art but that interest increased when her dad, who has a great eye for photography, gave her her first digital camera. Leah currently uses a Canon 5d mark II and a variety of lenses. She shares a home in Dallas with her husband, two sons, and two dogs. Spending time playing in the yard, taking a long walk, watching a good game, or eating a yummy meal with her family is the recipe for a good day in Leah’s world.
As a professional Dallas newborn photographer, we try our best to make sure our newborn photography pricing is affordable to fit any budget. Our newborn photography packages include beautiful products as well as digital images. We also offer our clients access to our printing lab directly from your online gallery so you can have the quality of my print labs at your fingertips!
The pre-ceremony photos, for me at least, are the easiest part of the day. This is usually the timeframe I use to grab most of my detail shots and bridal party photos. During this time, I usually send my second shooter to wherever the guys are while I shoot with the girls. Keep in mind that some of these shots may only be able to be taken during the reception if the venue isn’t open until then.

This is probably my favorite pose, and is always the one I start with if the baby is sleepy (plan to feed your baby right before you try to photograph him so he’ll be more likely to fall asleep). I love how peaceful babies look in this position. It’s also a great pose if you (like me) like newborns to be naked in their photos – you can see their sweet little arms and legs, but nothing else is exposed.
Choose coordinating colors, not matching. Knowing what colors to wear for family photos can be tricky. Start off with colors that coordinate well. You can accomplish a cohesive look without every family member wearing the exact same outfit. In fact, that can seem overly-matching. By selecting a color scheme and using hues that complement each other, you can achieve a more natural look across the board. Pick two main colors and then add softer tones to accent and complete your color scheme.
When styling a photo session, I like to start out with a basic color palette and go from there. It can help to have one “rock star” in the photos who carries a pattern in their outfit that the rest of the group’s clothing or accessories pulls from, while keeping everyone else’s outfits more simple. You can do this with a neutral and a few colorful brights, or try a softer palette that has different tonal ranges of the same shades.
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