Once you know the preferences of your clients, setting a rough timeline will help you determine what to do next. Some of my clients want colorful autumn foliage as a background and we wait for that perfect season to capture what they want. Advise your clients to choose the season wisely and know what to expect as the weather changes. As the season gets closer, check the weather forecast to determine the exact date of the shoot. Make sure that chances of precipitation are not very high and that you have an exact location to go to.
Frank Simonetti was recommended to my husband and I through our wedding ceremony and reception venue (Casa Ybel Resort). He offers the rare combination of exceptional and reasonably priced photography. Mr. Simonetti was very good about listening to our ideas and offering some of his own, which resulted in beautiful pictures! He is also very good at making the bride feel at ease (even a type A one like me that wanted everything planned out to the minute) and awkward family situations (including divorced parents, estranged family members, etc.). We highly recommend Mr. Simonetti to anyone planning a wedding in the Ft. Myers area!
When it comes to props, I gently discourage them. The point of the engagement session is to create beautiful portraits of you two together, and the addition of props is just a distraction. I know that there are many websites that will encourage you to bring vintage items, huge bunches of balloons, signs to hold, and so forth, but then the entire engagement shoot becomes all about those props and less about you two together. If you have always dreamed of running across the Brooklyn Bridge together holding a huge cluster of balloons, then let's do it….but let's open the session with that and then put the balloons away. Likewise, if you have a Thank You sign or a Save The Date sign, let's shoot those quickly and then tuck them in your bag. I want to create a shoot that fully brings to life your vision for engagement pictures, but I also want to focus on you!
One last thing to look for is that they know how to use light. Outdoor photography can be difficult when the sun is out. One thing you might want to watch for is to make sure that people don’t have harsh shadows on their faces. The light should fall softly on their faces in a flattering way. Part what makes this difference is time of day (that’s why most photographers like to do outdoor sessions in the evening), but there are a lot of other little tricks for getting the lighting just right. In the examples below, the photo on the left is a test shot that I took in harsh midday light just to show my client what the location looked like. See the dark shadows and blown out hot spots on my (super enthusiastic) son’s face? Then on the right, you see a family posing in the same spot with soft light that is much more flattering.
5. Consider some technical details. There are photos I took 5 years ago that I thought were amazing at the time and now realize they were out of focus, or my editing made the people look purple, or the highlights were blown out. If you (like a normal person) haven’t spent a lot of time poring over tons of professional photos with a discerning eye, you may not really know what to look for. Maybe some of these finer technical points wouldn’t bother you, or maybe the photographer you can afford isn’t quite as technically proficient as the photographer who charges $500 more. That’s okay, these are just a few things to consider. First let’s talk about focus. Often, the best way to tell if a photo is properly focused is to look at the eyes. In the two photos below, you can see a lot more detail in her eyes on the left than on the right. I missed the focus on the second image, so that one was not given to my clients.
3. Pay attention to where your light is coming from. If you’re using the same setup you used to take photos of the baby alone, your subjects should already be positioned correctly in relation to your light source (large window). They should be facing either the right or left edge of the window (which is where you’ll be standing). Light coming at a 45 degree angle casts nice, soft shadows that define both baby and Mom’s features, while also providing nice catchlights (bright spots) in their eyes.
Your clients need to have a clear understanding of what the newborn photoshoot day is going to look like. An email template is probably your best bet. Prepare a template outlining the usual itinerary and what will be included (what you’re providing or bringing), along with what your clients should provide or bring, including any newborn photography props they want to try out.
The first thing that I want to mention is that if you currently own an SLR camera DO NOT immediately go and sell your camera in order to purchase one of the cameras here. Just because I perhaps don’t mention your camera in this article doesn’t mean it isn’t suitable for portrait or wedding photography. You may just want to keep this article in mind for future purchase, or upgrades.
Portrait photography provides parents with lasting images of the first whirlwind months of a newborn’s life. The cost varies based on several factors, including the length and location of the session, the number of photos provided, and the amount of editing and retouching the photographer does. The national average cost for baby photos is $150-$200. Some baby photographers charge by the number of photos provided, typically ranging from an average of $299 for 20 high-resolution edited photos, to an average of $399 for 35 photos, to $499 for all of the images taken in a single session. Props and location affect the cost, too; an elaborate studio shoot with props and professional lighting may increase the cost to $600-$700 for 20-50 photos. Adding a second location or asking the photographer to travel can add $70-$250 to the cost of the session. Photographers may also charge extra fees for providing additional photos and DVDs, scheduling weekend sessions, and shooting siblings. Expect to pay at least a $50 deposit when you book a portrait photography session.
Katie Lamb Photography is a photography studio based in Fort Worth, Texas. All sessions are conducted within the areas of Southlake, Keller, or Grapevine; travel outside of these areas is limited and depends on availability. This studio specializes in family, couple, mommy + me, and boudoir photography. Katie Lamb Photography also creates custom films that are 1.5 to 2 minutes in length.
Annie, Thank you so much for this post. I found this delightful and amazingly informative post on Pinterest. I’d been on the for hours looking at how to style family portraits. I’m going insane, we have pictures tomorrow and I still don’t know what I’m wearing. I have my husband and the 4 kids (boys age 17, 16, & 11 and our girl age 10) clothes picked out but not myself. Deep breath….. I’m going to try again to find something conducive. Wish me luck
As a team of experienced and passionate elopement photographers in NYC, I Heart New York is your first port of call when looking for a portrait, wedding or elopement photographer. The team have all lived in The Big Apple for some time now, and each of us have found this city to be a photographer’s dream – from the urban oasis that is Central Park, through to the yellow taxis that polka dot the city, the Lower East Side grit, City Hall, and of course the best slices of pizza in the world. When it comes to taking stunning destination photos in New York, IHNY knows all the best locations, from the Upper West Side to downtown city hall. Elopement photographers with local insider NYC knowledge provide more than amazing photos – they can show you the all best bits that the city has to offer.
Your portraits are beautifully lit and fortunately don't need much retouching. The only exception I see in your examples is the family piled on top of each other on the ground where the mom appears to be in the shadow a bit more than I'd prefer. She could use a quick swipe of the dodge tool, IMHO. I do tend to spend too much time in post production working to "perfect" each file, but that's me.
Patterns can add visual interest and texture as well as a good dose of personality. Just make sure that either just one person is in a pattern with the rest of the subjects in simple, more solid color pieces or the patterns are subtle and complementary (for instance, a teeny tiny polka dot tie on a little boy next to his sisters bold color blocked pattern can look very complementary).