Smart is the world’s leading online photography course offering in-depth training, mentoring and classes to creatives of any skill level. With a dedicated wedding photography module, it is sure to help you on your way to becoming a better wedding photographer. Smart’s one to one mentoring programme also puts you in touch with top wedding photographers whose industry knowledge is second to none.
The image on the top left is underexposed. Everything is dark and gloomy. The opposite is on the top right. This image is overexposed. You can not see a lot of the detail in dad’s shirt as well as the older sister’s skirt. Their faces are also very bright and will not print well. On the bottom you can view the properly exposed image. You can see the details in their faces, dad’s shirt and the older sister’s skirt.
Thanks for the article. As i am new and just venturing out in the world of professional photography, could you suggest which camera family i should go for Pro DSLR Canon or Nikon. As you are aware that photography involves a lot of investment and its wise that i chose a good body, and build a array of lenses to go with it. I am focusing on Wildlife as well as potrait photography for the time being. Hopefully one day i would be shooting for Vogue, Nat Geo etc. Your able advice and guidance is requested.
As I said before, this is simply a template for shooting a wedding day. Obviously, different cultures and situations are going to call for different shots. The best thing you can do in any situation is talk to your clients before and get an exact list of what they want. Anything after that is lagniappe. An even better form of communication would be an official schedule of what's happening. This protects you in the end if there is any misunderstandings. I have created a downloadable file for the checklist. Feel free to change this up to fit your needs. I've included PDF, Excel, and Numbers formats.
Think about your location and make sure your wardrobe complements the surroundings. For example, at a location in a field with a rustic barn in the background would be perfect for a little girl dressed in a simple, vintage style dress with Hunter wellies, pig tails and carrying a little vintage tin pail full of wildflowers. That same look might be out of place in an urban setting with a graffiti wall in the background. Also, consider how well the colors and patterns in the wardrobes will stand out against the backdrops of your location. A field of bluebonnets might not be complemented by an outfit with a floral pattern or the same blues and greens in it, but would look beautiful with a solid coral colored dress to pop off of the colors of the flowers and grass. Many times I’ll select a location first and then create the wardrobe, accessories and props to fit with the vision I see for the surroundings and session vibe I want to come out of it.
Search online. A great way to search for wedding photographers is to look online. There will be a very large number of people advertising their services, so think about how you can focus your search more closely and narrow down the results. Look for people with plenty of experience and lots of information about themselves and the photography they produce. You should also look to see if they work with an assistant or solo.
Next, gently lift her head and position her hands and arms underneath it, then lay her head back down, turning it so she’s look out at you instead of down into the pillow. The photos below show why it’s important to tuck the hands under her head – if you don’t, they’ll likely end up right in front of her face, as in the first photo. In the second photo you can still see her hand, but it doesn’t block your view of her face.
…hoping to inspire your clients in their choices of clothing and accessories, make sure that the work you are displaying portrays the kind of look that meshes with your style. Offer to help select clothing and even go the extra step to assist in shopping for new pieces or outfits. Many times I’ll arrive at a client’s home and they’ll have put together several options for looks for the kids or family, and then I can assist in making the final decisions. Another quick option is to just have them email you a few quick iPhone shots of the outfits they are considering so you can lend a little guidance. And feel free to point them to this post for pointers and examples!
Your clients need to have a clear understanding of what the newborn photoshoot day is going to look like. An email template is probably your best bet. Prepare a template outlining the usual itinerary and what will be included (what you’re providing or bringing), along with what your clients should provide or bring, including any newborn photography props they want to try out.
If you want to create a unique photo that dramatically captures life from a child’s viewpoint, get on the ground. Photographer Andie Hamilton explains, “People don’t often think about getting down on the child’s level, but this can create some of the most intriguing shots. I often find myself lying on my stomach on the ground next to the child to get the most interesting angle.”
No doubt there are many wedding moments you won't want to miss. The best way to ensure your photographer captures the right moments for all posterity is to provide a suggested shot list. Of course, the style and number of these images will all depend on the photographer you've chosen and how long you've hired that pro for, but a shot list of photos you'd love to have is a great way to cover your bases. Since you should count on at least five minutes per shot, it's unrealistic to expect all the photos below, but pick and choose those shots that mean most to you.
Newborn photography is our first love and passion. We love nothing more than to create timeless photos of what love has created. The newborn stage is such a precious and fleeting time in yours and your little one’s lives and to be a part of it is truly a privilege. Tiny details only stay tiny for a little while. That is why newborn photography requires a special kind of heart, one that can appreciate how special these moments are and understand the importance of treasuring them down to the last dimple.
In-person photo kiosks are quick and convenient, but they are often inconsistent since there are a number of different factors that affect print quality. One drugstore or superstore may have solid print quality, while the same store by the same name in the next town over may not. We have had some success at one drugstore, only to get 5 x 7s printed on 8 x 10 sheets (and having to dig out the scissors to cut them out manually) at another.
Her newborn photos were stunning and she was willing to accommodate some props we brought along with us. Thanks to her and her assistant, I felt that my newborn was safe and in good hands the entire time. I loved all the props and poses she was able to use in her studio. Editing was super fast and her customer service skills are excellent. Laura is so talented that we had trouble narrowing it down to the images we wanted. I definitely would recommend Laura to others and plan to use her again in the future for child and family portraits. Thanks Laura!"
Great shots. What I've been struggling with recently is the balance between only release your best shots and how many I should deliver as proofs to a client ( along with what the concept of a proof is ). Whilst each of the examples above is a single shot I betting there were many more to choose from as an output from each session. Many of my portrait shoots are around 45 mins to a bit over an hour and in that time I will take a range of head, mid body and full length shots along with various groups. My last session took a bit over one hour with a family of 5 and resulted in around 200 pics ( a good number of which were burst mode of kids jumping off Walls ). I selected a fair range of around 60-70 pics and did some basic proof edit cropping and light balancing, the standard stuff and delivered a disc to the client. As I am starting out my model is to deliver a disc to the client rather than sell prints I don't have that bandwidth just yet and I price accordingly with that in mind. I've had some interesting conversations since that made me think I should have delivered fewer pics ( maybe 1 or 2 of each pose ) which would have meant a delivery set of about 30 pics. So what is the right balance ?
3. Wait until baby is good and sleepy before you start your newborn shoot. This way you can pose her however you like. If you catch your baby in the first few days of her life, this won’t be a problem. But if, like us, you try to do the photos around day seven or beyond, be prepared to twiddle your thumbs for an hour or so until the newborn is snoozing steadily.
For these photos, I did not add contrast, vibrance or saturation! The lighting was perfect and made our outfits pop. I prefer not to over edit photos, but I do love to tweak them a bit. Believe me, I earned every wrinkle I have and I do not plan to edit those out! But I will fix cool lighting if I need to. These Lightroom Presets are another fun way to edit photos if you want a quick solution!
Michael Kormos Photography is a boutique family portrait studio in NYC specializing in maternity, newborn and baby photography. We strive to create an enjoyable, creative and giggle-filled experience, while delivering stunning photos of the highest quality. With an eye for candid moments and genuine interactions, we have been recognized worldwide for our fresh style, creative perspectives, and portraits that celebrate the love and joy of families. We offer maternity portraits in our Midtown Manhattan studio, newborn photography in the comfort of your home, and family photos in beautiful outdoor settings. You can view samples of our portrait sessions on the Blog. We're excited and honored to share these special moments in your family's journey!
AMONG THE HUNDREDS OF PHOTOGRAPHERS AROUND YOU THERE ARE A SELECT FEW WHO ARE TRUSTED BY THE MOST DISCERNING CLIENTS. JAALAM AIKEN HAS BECOME ONE OF THOSE TRUSTED PHOTOGRAPHERS. HAVING PHOTOGRAPHED FAMILIES ACROSS THE COUNTRY AND TRUSTED BY THOSE WHO ARE ACCUSTOMED TO ONLY THE BEST, JAALAM IS NOW AVAILABLE TO CLIENTS IN SANTA ROSA FLORIDA, DESTIN, PCB AND ALL ALONG THE SCENIC 30-A FLORIDA AREA. HIGH SCHOOL SENIORS FROM AROUND THE COUNTRY CHOOSE PREMIERE AND JAALAM AIKEN FOR THEIR SENIOR PORTRAITS.
Examine a photographer’s online presence. As with anybody advertising themselves on the internet you will need to think carefully and critically about how they present themselves. Try to find reviews of the people you are interested in by searching for their names. You should be cautious with reviews and be prepared to make up your own mind, but the more information you have the better.
Inconsistent exposures create more work in post processing, as you have to even them all out. It also can cause a slight color shift, increase noise (if underexposed) and other undesirable things. To keep your exposures consistent through the whole shoot, use Manual Mode. Just remember that each time you change the pose, location, etc, you need to check exposure again. I just fire off a quick test shot, review the histogram, adjust if necessary and continue.
Even if you don’t love the Brides dress, which I’m sure you will! Ask her what particular aspects of the dress she absolutely loves. A dress will always look better on the Bride than it will hanging up. But make sure to pay particular attention to capturing the intricate details. Also ask her if there are any other details she wants special photos of such as broaches, hair pieces, shoes etc. It’s easy to overlook these details but they make for fantastic photos. They can also be great to tell the complete story of the wedding especially if the items have sentimental value to the Bride.
I know many portrait & wedding photographers love to shoot wide open at f/1.2 & f/1.4. However, with newborn photography, many of the baby poses can have extreme angles and you often will have better luck with your depth of field and sharpness by shooting around f/2 & f/2.2. Remember, it will be rare that the baby’s eyes are on the same plane of focus all the time and by closing down my aperture a bit from wide open I get that little bit extra of depth of field that is often needed.
All albums are printed on archival photo paper, NOT press paper. The short term difference is thickness, richness, and color. The long-term difference is archival ability. Your album should be passed on to your grandchildren in beautiful condition. My albums feature leather cover options and my favorite, lay-flat pages to allow beautiful panoramic spreads across the entire album.
Finally, 9 out of 10 times someone will forget that they were supposed to show up early for family photos before the ceremony (or they get caught in traffic or they are busy dealing with the florist or they forgot their boutonniere or their little kids took longer to get dressed than expected… etc.) which typically results in everyone spending time getting everyone together only to discover that someone is missing and then spending more time trying to figure out where that person is and then finally deciding to just do that side of the family’s photos after the ceremony.
While it may work out amazingly, you run the risk of things getting a bit awkward with your friend if you really don’t like the pictures (know your friend and their sensitivity to such things: will they be completely offended if you don’t like the shots and decide to get a different photographer or if you want to take photos again? You don’t want to damage a friendship over family pictures!).
Tipping a photographer for family portraits is not standard etiquette. A great way to recognize a family photographer who goes above and beyond is to write them a glowing review. You probably found your photographer by reading online reviews, so paying it forward by letting everyone know how much you appreciate their work is a great gift. Write your review after they have delivered the final edited photos on time and you’ve confirmed that you’re happy with the terrific portraits they took.
Some family photographers will meet with you in person before your session to brainstorm about creative ideas, locations, clothing, etc. If you can meet with your photographer ahead of time, then you’ll have a head start on your session date, and you and your photographer can make the most of your session time together. You may also be more comfortable being photographed having already met him or her previously. Try not to book your photographer at the last minute so there’s time for a planning/design meeting!
Talk to each other: (Duh, right?) DON'T match. But DO coordinate. Wearing clothes that are the same level of dressiness is really as matchy as it needs to be. You guys already look like a family. Don't hamper each person's individuality by forcing the matching. Let's be honest: You guys always look awesome together, you don't need special matching outfits for that.
…and think outside the box. Scarves, hats, flowers in the hair for girls, jewelry, sweaters, vests, jackets, etc. – all these things can take a ho-hum image and make it feel “complete.” Don’t let the accessories overwhelm the subject or the photos though. I believe that especially with sweet babies and toddlers that they don’t need much in the way of “accessories.” Little kiddos are beautiful in their simple purity, and I want them to be the star of the show instead of making one’s eye go straight to a giant headband as big as their head as they sit awkwardly in a big bucket. I want the viewer to notice my subject and their personality first. The accessories and clothing should just complement them – not be center stage. Choose your accent colors and fill in outfits with those punches of color in accessories. For instance, if big sister’s patterned dress has tones of aqua, coral and gray, have mom wear a coral headband and little brother in an aqua pair of Converse and bow tie. Show off the kids’ and your unique personality with accessories!