Our new studio in Celina is owned and operated by Nick and Natalie, a husband and wife team who have provided dual coverage of photo sessions for countless clients. With roots that run deep in Texas, you’ll soon see the advantage of working with this studio in Celina for your family and newborn photos. What’s more, the newest location sits on 15 acres of land so outdoor scenery can easily be used to accent your pictures. You can learn more about Celina expansion by clicking here. The studio is located at 5808 County Road 171, Celina, Texas, 75009.
Brittney Davis Photography is a photography studio in Dallas, Texas, serving the entire City of Dallas and the surrounding metroplex area. Brittney Davis is a natural light photographer who specializes in child, family, and lifestyle newborn portraiture. Brittney Davis Photography takes photographs of the newborn in the comfort of their own home, capturing their first moments in a meaningful way.
I know many portrait & wedding photographers love to shoot wide open at f/1.2 & f/1.4.  However, with newborn photography, many of the baby poses can have extreme angles and you often will have better luck with your depth of field and sharpness by shooting around f/2 & f/2.2.  Remember, it will be rare that the baby’s eyes are on the same plane of focus all the time and by closing down my aperture a bit from wide open I get that little bit extra of depth of field that is often needed.

I tried to read this article but gave up quickly. The first tip alone contains at least four or five instances of the wrong word -- or wrong form of a word -- being used. We're photographers, not writers, but there's no excuse for such lousy basic communication skills. Even if you don't wish to hold your contributors to a standard, you surely make enough money from this site to have someone take a low-level proofing run through the articles before posting publicly. Please?
Pro tip: "Using props for a maternity session should have a special meaning," Denver family photographer Jermaine Amado says. "The most common props for maternity pictures are shoes, a onesie, an ultrasound picture, block letters for the baby's name and a book. Since you will be incorporating a prop in your pictures, most of the time the focus will be on the prop. But you can change it up and shift the focus from the prop to the family or belly. Sometimes it's an amazing shot to see the belly and family, then have your focus shift over to see blurred baby shoes or an ultrasound picture."
Ever notice your child in his own world looking at a handful of wiggling worms, blowing his breath against a cold window or watching the dew drops fall off morning leaves? These are the moments that photography was made for. Seize these fleeting moments in time by zooming in close to find that special angle that tells the story from your child’s unique perspective.
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Hi Linda! Perfect, so glad you love the article I hope you signed up for our mailing list to get your newborn toolkit and other freebies to help get you going quickly and lastly, you are among the first to know that we are working on finishing up our complete Newborn Photography Workshop Course which will be out at the end of the year…it will be an amazing product though which we are so excited for!
Specializing in family, newborn, birth, and maternity photography sessions in Dallas, Jenny Leigh is an expert at combining her artistic eye with your vision to produce cherished pictures of some of the most important times of your and your family’s lives. While primarily operating in the DFW area, on-location shoots outside of Texas can be accommodated – please contact Jenny Leigh for additional information.
One of my biggest mistakes, when I was starting out, was that I brought all my props/wraps/blankets/headbands to every single session.  When I got set up, I would have a mini panic attack because I had no idea where I should start.  Now I plan 3-4 different setups (based on the client’s preferences and expectations) and that’s all.  I am often inspired by something the client owns as well, such as a blanket knitted by Grandma or something else that’s special to mom and dad, so it is not uncommon for me to not even use everything I bring.
You won't be able to nail down an exact dollar amount until you're sure of what you want, how many albums you need and where your photographer is based, and packages range from $2,500 all the way up to $15,000-plus on the higher end of the spectrum. When interviewing candidates, ask for a general range based on the photographer's standard "shooting fee" and package, plus their standard rates for the type of album you think you'll want and the amount of coverage you're hoping to book them for (day of, full weekend). It's important to find out what's included in the standard package, plus the basic range for any extras you may want, like an engagement shoot, special effects or additional coverage, so you can compare rates. In particular, find out exactly how many hours of coverage are included. Ideally, you want your photographer to be there for your full wedding day—from when you start getting ready until after you make your grand exit from the reception. While packages vary, most include about 6 to 12 hours to cover everything from preceremony events (getting ready with your bridesmaids or first-look photos) to the end of the reception. It's usually better to pay for more coverage if there's a chance you'll run over and you definitely want your photographer there until the end (overtime is usually charged at a higher hourly rate). Also consider whether you'll want to do an engagement shoot or have your photographer shoot other events during your wedding weekend (the guys' golf outing, the bridesmaid lunch). 
An 8hr to 9hr hour timeline is the most ideal from a photographers standpoint.For us, this works best to ensure all the key moments of your wedding day are captured and no special moments are missed. Here is a rough draft and sample of an 8 hour wedding day with the ceremony starting at 5:30 PM. This timeline can be adjusted to your specific needs,but should be a good starting point for you when planning your day.
As you know, photographers are artists – and you are investing in art that will give you a portal back into this exact moment. You are also investing in giving life to a story that you will be sharing with your child(ren) for the rest of their lives. When you tell them how much you loved them, or how strong they were, or how tiny your first house was, or about the dog they grew up with, they hear your words… But when you show them the pictures, and read words you wrote in that moment, they truly get it – and they love those stories. They love them next year, and they love them in a different way the year after… I see it over and over again. And I experience it first hand with my own childhood photos.
Photographers often want the bride and groom to stand in flower beds, near water, and in other unexpected places.  Brides don't like to do it because they are worried about their dress getting dirty on the wedding day.  A simple fix is for the photographer to bring a white sheet that the bride can step on to protect the dress.  The sheet is then tucked under the dress and nobody knows!  (Thanks Stacey Knight)
Whether you can admit it or not, our babies don’t always look like the Gerber baby. They get baby zits, cradle cap, thrush, snot, eye crusties, they scratch their little faces…taking coloured photos will, no doubt, capture it all. Black and white, on the other hand, tends to soften an image and eliminates some of the noise. I find black and white photos can tell an entirely different story from colour. Go on, give it a try!
As the busy fall season for family photography approaches, I’ve decided to do a series of blog posts on things you may want consider when choosing a family photographer!  If you’re looking at hiring a photographer for the first time, I’m sure the options can be daunting.  How does this all work?  Why does it cost so much?  How do you know you can trust them to do a good job?  Whether you’re reading this here in Fort Collins or far away in another state, I want to share some thoughts that might be helpful as you make this decision.  This isn’t meant to be a black and white list of dos and don’ts, just some food for thought!  I want to start by talking a bit about some things that I think are important to look for when you’re checking out potential photographers’ websites.
I just wanted to say THANK YOU! I am not as experienced in newborn shoots as I am with other types and my latest one just kicked my butt! I’ve been trying to edit a particular image for 2 days. And then… I found your tutorials and it made all the difference in the world. I also really needed to see that you started out shaky with your own kids and how you’d improved. Sometimes, I forget it’s ok that I don’t know everything yet. Thanks again!

Bad lighting is the enemy of good photography. Unfortunately, unless you are professionally trained, you might not know that the midday sun is not the best light for photographs. Hamilton explains, “You actually want your subjects to be in shade rather than direct sun and you also don’t want them facing the sun because this causes squinting.” Consider doing your photo sessions in early morning or late afternoon for beautiful soft light. Cloudy days are also great for photo shoots.

This is more of a personal choice, but I tend to choose clothing that is timeless, perhaps a little vintage in style. Whatever your style is, make sure your choices won’t look terribly dated years from now (or months in the case of some quickly passing trends). I personally love to use softer or neutral tones (with a color pop here and there) and classic shapes, then add interest with accessories, layers and lots of interesting textures. I also happen to love bright and colorful as long as it’s not obnoxious or distracting from the subject’s personality and face. Of course, this is a personal choice and many families will choose to go all out in the latest trends, thinking of their clothing choices as a sort of time stamp in their images.

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