Also look for consistency in their work. This is a way to differentiate an amateur from a professional. An amateur photographer’s portfolio may show nice images, but those images are a compilation of one or two accidentally good images from many sessions. The professional will show quality images consistently in both their portfolio AND recent work on their blog. If you hire an amateur to shoot your session, you accept the risk that there may only be one or two good images from your session vs. the 20-30 great images that a professional will provide in your gallery. When you hire with quality in mind, you buy the assurance and the peace of mind that your special moment is captured perfectly before it is lost in time.
I’m no lighting expert but have found that my best results have been when I’ve used my flash in a ‘bounce flash’ way – shooting it up into a ceiling so that it’s indirect. This diffuses the light a lot which leaves Xavier less washed out in the shots, and more importantly means he’s not blinded by the light from it (we don’t want to blind our little ones by our photographic obsession – I actually asked a pediatrician about camera flashes and his advice was that it wouldn’t do damage but that for a babies comfort that indirect flash (ie bounced and/or diffused flash) would be advisable. I’m sure different doctors would advise different things but I play it safe with my bounce flash – and avoid flash altogether where possible). It also gives a fairly natural looking shot.
Timidity won’t get you ‘the shot’ – sometimes you need to be bold to capture a moment. However timing is everything and thinking ahead to get in the right position for key moments are important so as not to disrupt the event. In a ceremony I try to move around at least 4-5 times but try to time this to coincide with songs, sermons or longer readings. During the formal shots be bold, know what you want and ask for it from the couple and their party. You’re driving the show at this point of the day and need to keep things moving.
[GIVEAWAY] I’m excited to announce that I’m collaborating with @cansoninfinity to give away a print of one of my newborn photos, as well as a pack of my favourite Canson® Infinity Rag Photographique! To enter, simply follow @cansoninfinity, like this post, and leave a comment below letting me know that you’ve completed all of the steps. Entries close June 21st at 23:59 AEST, with the winner being picked the following week a random draw 😃
Great tips! I tend to be the photographer for a family of 10 siblings, with 33 children collectively, and, so far, 16 grandchildren. It can be real challenging to get that many folks' heads even visible from the shooter's point of view. Most of all, it takes practice, practice, practice on the part of the subjects.... and a great sense of humor. That many people are not going to look into the sun, or wait very long to have their photo taken. My best advice is to be prepared and have your equipment set so that expediency will promote spontaneity and candor. That way everyone naturally looks genuinely happy and NOT anxious to "get this over with".
Morning Sessions will be provided by Kristina. She is freshly getting into photography and will be establishing her own style and techniques with every shoot she creates. Sunset sessions will be captured by our lead photographer Stan. With over 10 years of experience Stan has a developed style that is seen all throughout the website. He is sure to provide you and your family with experience and stunning images you will love.
Newborn photography is not all as it seems. That baby in a hammock? The little girl propping her head up in that froggy pose? And the little guy in a firefighter helmet? Those are all Photoshop tricks. Babies can’t hold their heads like that, and you should never place a baby inside a prop that may tip over or otherwise endanger the baby without taking proper precautions.
So many maternity sessions are done in studio. I understand the reasons behind this. I’ve been pregnant. 3 times over. I’m not the petite and pretty pregnant. I’m the gal you find wedged between the double doors at The Sizzler. Studio shoots are great because there’s privacy. I can’t argue with that. Particularly if you’re going to do anything in less than a fully clothed state (that’s my PC way of saying naked). But there’s something about being outside. Taking that natural beauty of a woman who’s ready to bring new life into the world and placing her in the majesty of the great outdoors is simply breathtaking.
I think it all comes down to storytelling. Each photographer has a personal take on the best way to tell a story through photos. The way a photographer perceives storytelling is going to inform what they take photos of, how they take them, where they are when the important events happen, and everything else in between. And there are a few variables that photographers manipulate that will make all the difference from one portfolio to the next:
The #1 way to ensure a successful newborn session is to make sure your client knows what to expect and how to best prepare for the session. I send my prep tips a few days before our session to get mommy and daddy prepared. In fact, in our newborn workshop includes the email templates that I send & has a full chapter dedicated to adequate preparation before the session. Many moms choose to feed while I unpack and setup. I have them feed the baby in only a diaper and a loose swaddle blanket so we don’t have to bother the baby with undressing them. I also let them know what I’ll be bringing, the approximate length of the session, to expect messes and frequent feedings, and to warm the house, even though I will be bringing a heater.
Being creative is a large part of being a newborn photographer, but so is making sure you get the basic, must-have shots. You should always start with the basics and move towards the more advanced photos just in case the baby gets too fussy and you have to call off the shoot. Below are some of the basic shots you should get before introducing complex, time-consuming, and difficult photographs. For more info on Newborn Posing, please see our Newborn Workshop on DVD.
Thank you so much for this post. I’m also a newbie to the world of professional photography, but I’ve been a photographer for most of my life. I would usually simply do shots with friends and their families, or just my own, but I’m actually starting to get paid for it now. I had the privilege 3 days ago to shoot my friends newborn son and her older 2 kids. It was my first newborn shoot, and I was thrilled at how the pics came out, but I felt like I could have done better. Fortunately, I get to try again tomorrow, because Daddy was working last time! Your list and examples are fabulous, and I can’t wait to put then into action!
Don’t just shoot what’s always been shot. This is a good general rule of photography. I really try to be “consistently inconsistent” (I recently heard another photographer, Nate Kaiser of theimageisfound.com, use this term and I had to pirate it). Let me explain, you’ve got to approach each shoot as it’s own. I’m very committed as a photographer to tailoring each shoot for the subject I’m photographing. Like I said before, this is a good general rule that applies particularly to maternity photography. Even though millions and millions of mothers have given birth to millions and millions of babies for millions and millions of years, a momma-to-be needs to feel like her pregnancy is miraculous, special and sacred, that the things she’s experiencing are unique only to her. Because they are.
The main thing you want to look for in our test results is low-light picture quality. On the whole, a flash isn’t going to produce the best-quality photos unless you’ve got a premium one attached to the hot shoe. The highest-scoring cameras will be able to produce great photos with no flash in low light, for example when you’re in a restaurant or bar, without image noise and compromised picture quality.
We are a husband and wife adventure wedding + elopement photography team with an emphasis on epic landscapes and grand adventure. Our photography style is adventurous, full of stoke, and centered around telling a true story. We strive to capture your wedding day in an authentic way, creating photos filled with emotion and beauty. We are outdoor enthusiasts (and advocates!) inspired by windy mountain tops, rocky deserts, icy glaciers, and red dirt (oh how we loooove that red dirt!). We believe there is no such thing as bad weather if you have the right attitude. Our couples prefer a peaceful, relaxed wedding day with an emphasis on their love for each other and for the outdoors. We capture the landscape AND the couple, and don’t believe one must be less than the other.
Our baby is pretty predictable in terms of his daily routine (we seem to have got him pretty settled into one already somehow) but there are moments all day long that he does something cute, disgusting, funny and worth capturing. Without the camera handy you’ll miss these moments as they are usually fleeting. We tend to leave our DSLR in our livingroom where we spend most of our time with him but also have a point and shoot in the bedroom for other shots.
That’s it! No expectations other than fun. Then prepare yourself. Bring along props, get mom to bring one of their favourite toys or books. I usually have a hand puppet and bubbles in my camera bag along with my gear. If the kids don’t want to sit and smile don’t force them. Then them run around and be kids for a while and shoot that. Play with them, make it fun. Then they may cooperate and sit for a bit a few minutes later.
Think about the primary reason you are doing the session and dress accordingly. For instance, if it’s for Christmas cards you might want to dress in wintry, seasonal clothing. For a gallery canvas in the living room, think about coordinating with the colors and feel of your decor. For the canvases I hung in my girls’ playroom I dressed them in twirly, pink dresses and they ran dancing through the sand on the beach, which meshed perfectly in the girly room that’s always filled with giggles and play.