Ok, this isn’t a novel idea, but I use this a lot (even still) and think it’s worth the small investment for the random times it’s used. I have this tripod with a bag carrier, found on Amazon for $14.99. It’s a handy tool for years to come. Many times I’ve set my tripod up, and RUN into the picture. The toughest part about this method is making sure all the kids look in the right direction, and not at you running back.
As photographers we want every photo to be a masterpiece – perfect light, natural expressions, everyone looking at the camera. But sometimes the best photos that you wind up taking are the most ridiculous — a boy with his hand up his nose, a brother embracing his crying sister, or one sibling looking at the other with a crazy face. Don’t stop shooting just because the kids aren’t cooperating for a moment, or the parents are chasing them around. Sometimes these situations can lend to the funniest and most memorable shots.
#2 – it allows you to get your eye away from the camera so you can actually make eye contact with your subjects. They are very real people and they feel even more uncomfortable staring straight into your lens than they do looking at you. You can make gestures to get kids attention, or make faces. But you’ll get way better expressions by interacting with them than you will looking through the viewfinder. Try it!
Due to the nature of the bulky equipment and lighting issues, wedding photography was largely a studio practice for most of the late 19th century. Over time, technology improved, but many couples still might only pose for a single wedding portrait. Wedding albums started becoming more commonplace towards the 1880s, and the photographer would sometimes include the wedding party in the photographs. Often the wedding gifts would be laid out and recorded in the photographs as well.
With a whopping 24.2 megapixel count, EXPEED 4 processing engine, and a filterless sensor — you’re going to be taking some extremely detailed shots. It is a step up from the D3300, with a lot less noise in the new ISO3200 JPEG image format. This was a major problem for users of the 3200. If you really want crisp, crystal clear pictures that can be edited without compromising the quality, this is what you need.
One last thing to look for is that they know how to use light. Outdoor photography can be difficult when the sun is out. One thing you might want to watch for is to make sure that people don’t have harsh shadows on their faces. The light should fall softly on their faces in a flattering way. Part what makes this difference is time of day (that’s why most photographers like to do outdoor sessions in the evening), but there are a lot of other little tricks for getting the lighting just right. In the examples below, the photo on the left is a test shot that I took in harsh midday light just to show my client what the location looked like. See the dark shadows and blown out hot spots on my (super enthusiastic) son’s face? Then on the right, you see a family posing in the same spot with soft light that is much more flattering.
When you shoot a mommy-to-be in her own home she’s comfortable to let go in a way that she may not be otherwise. This is a fantastic reason to hold maternity sessions at home. This is not however why I do it. As a photographer I feel like it’s my responsibility to help my subjects feel comfortable and capable of giving me their best, no matter where we’re shooting. I pride myself on my ability to do this. To me, it’s a HUGE part of my success as a photographer (Uh oh. I feel a post in this regard coming on… check back soon). I shoot maternity sessions at home primarily because it’s wonderful for a couple to have a capture that truly shows what their life was like at the time their baby came to be a part of their family. I’m a second generation photographer so I’ve got some really lovely shots of my sweet momma awaiting my arrival. My favorite however is a simple picture of her standing by my bassinet with her hand on her tummy. I CHERISH it.
that blend with the the vibe of the session as well, but keep them simple and meaningful. A handful of flowers that are a natural, neutral color or that coordinate with color pops in the subjects’ clothing, a vintage camera, a basket of apples, or the absolute best type of prop is something that is meaningful to the subject (grandpa’s vintage camera, their favorite stuffed animal, a quilt made by great grandma, the family’s beloved pet). But don’t let the prop be an odd distraction – make sure it “makes sense” being in the photo and blends well with the whole vision you had in mind for the shoot.