Tipping a photographer for family portraits is not standard etiquette. A great way to recognize a family photographer who goes above and beyond is to write them a glowing review. You probably found your photographer by reading online reviews, so paying it forward by letting everyone know how much you appreciate their work is a great gift. Write your review after they have delivered the final edited photos on time and you’ve confirmed that you’re happy with the terrific portraits they took.
I like getting digital images. We live in a digital age, and it is easy and fun to share pictures with others when you have the rights to the digital images from your photo shoot. I like having the digital images so I can use the photos on Christmas cards that I order and “print” myself (a portrait studio can print the cards with multiple images for you otherwise, but usually at a higher cost than can be found online).
Every wedding will require a bit of crowd control during the family group photos. This can be a stressful time for the photographer as you aren’t aware of the specific family dynamics. Sometimes you don’t know who Uncle John is. Plus he’s probably at the bar, the toilet or anywhere other than where he should be. One of our great wedding photography tips is to get the couple to nominate a family member or someone from the bridal party to organise the people. They can gather the guests for the photos and you can concentrate on taking the photos.
“My kids never sit still and they certainly don’t listen to me when I ask them to look at the camera. Somehow Kate was able to earn their trust right away and capture amazing photos. All I can remember is how happy the kids were and how much giggling was going on while they were in front of the camera. Kate had a warm personality and was the type of person that I would want to invite into my home and life.”
We love photographing newborn babies, so when a twin photo session happens, it is twice as nice! Twice the snuggles, twice the piggies, and twice the love. It’s absolutely amazing to witness how a child’s personality develops right after birth and in the early days of life. Newborn twins are gifted with such distinctive personalities right away, and we love to capture those little differences. With newborn twins, we also make sure to take individual shots so that Mom and Dad can see all the tiny special details inherent in each baby.
Imagine there is a line drawn from each face to the next. Try and position them so that no head is directly on top of, or beside (same level) another. Make diagonal lines not totem poles. Use props to seat some people or bring some small folding stools. Have some people sit down, or stand up on something. Use what is naturally in the environment to pose them, or if you have nothing available just arrange them so the heights are staggered.
Great tips, I especially love the one about safety first, it’s scary the positions that some people put newborn babies in for the sake of photos! I also agree with your comment about the images looking the same at times. We have to remember that while it might be the same old thing for us, it’s the first time for this family portrait session, and this baby.
If your wedding is large, you might request — or your photographer may recommend — a photographer's assistant or additional photographer. If your guest list is very long, you'll want more than one camera to document those magic moments and important guests. Even for small weddings, a photographer's assistant may be needed to handle extra equipment, set up lighting, and ensure your photographer is primed to take those perfect shots. If your wedding takes place at sunset or you have requested a certain aesthetic, such as an editorial style, a wedding photographer may also need an assistant to ensure styling and proper lighting. Adding a second photographer may increase the cost based on an hourly rate, while the photographer's assistant is typically paid at an hourly rate that is lower than that of the principal photographer. In general, extra hands on deck mean a higher cost.
Don't base your decision solely on what you see in a photographer's highlights gallery or album. For good reason, photographers show prospective clients a portfolio of their best pictures, all from different weddings, so you're seeing the best of the best. The problem with that is you won't get a well-rounded idea of their work. Ask to see two or three full galleries from real weddings they've shot (not someone else at their company) so you can get a better idea of what your complete collection of photos might look like after the wedding. If you see that the full gallery photos are just about as good as the ones chosen in the highlight gallery (that is, they're all so good it's impossible to choose!), you're on the right track. And ask to see at least one or two complete albums of weddings that are in similar settings to yours. For example, if you're planning an indoor affair with dark lighting, don't just look at weddings shot outdoors in natural sunlight. And if you're planning to say "I do" on a beach at sunset, you'll want to see examples of that.
There are three factors to consider in choosing a lens. Number one is the quality. Better crafted (and typically more expensive) lenses will provide you with a clear image. Remember that it's always better to invest in better lenses as opposed to buying an expensive body. Number two is the aperture. Different lenses will allow you to stop up to larger apertures (lower #'s). If you are in low light or want a shallower depth of field, you may choose a lens with a wider maximum aperture. Thirdly, focal length arguably has the greatest effect. A longer focal length (higher #) will compress the foreground and background more.This can be useful for portraits as it makes a subject look more natural.
I did get a few more ‘portrait’ like shots in that first week but then ended up being more activity based ones, often with other family members. On returning home and over the three weeks since I’ve continued to take the documentary style shots but have seen a move to take a lot more portrait style shots also. Quite a few of our friends have commented on the nice balance between styles.
1. Lots of photos! First of all, you probably want to be able to see lots of photos from a variety of sessions. It should be safe to assume you’ll be happy with their photos if you can look at their blog and find 5 family photo sessions that you love. If they just have a gallery on their website with 15 or 20 family photos, those are probably the very best family photos they’ve ever taken. Maybe all of their photos are that good, but maybe they aren’t actually producing that quality of work consistently. If they don’t have a lot of work on their blog, you may want to ask to see a sample of a whole session. I put almost every session up on my blog as long as I have the client’s permission. Part of why I do this is for visibility and advertising, but another reason is that I want happy clients! I want you to see not only my very best work, but ALL of my work so that the photos I give you will meet (or hopefully exceed!) the expectations that you have for me. I think it’s important for you to be able to see how I shoot on sunny days as well as cloudy days and how I pose a wide variety of families.
are beautiful and create interest in photos. I absolutely love using multiple textures and layers, especially important when working with a color palette a bit on the neutral or softer side (with a subtle color pop here or there). When I say textures one of the ways to achieve this is with different clothing materials and accents – tweed, crochet and embroidery details, lace, hand knit items, smocking, ribbons, ruffles, etc. Also, having different layers of clothing and accessories can add another dimension to the overall texture of the image. These details and added depth are especially important in black and white images. And it can be done beautifully with colorful brights or just pops of color here and there as well. Follow your own vision and style, also looking to what fits your subjects best.