Whilst this isn’t one of our essential wedding photography tips it can be a useful one. Shooting with two camera bodies means you have at least two memory cards storing the photos of the day. If one card was to break you have a backup. Moreover, two camera bodies allow for speed on the day versus changing lenses on one camera body. If you have one camera set up with a 35mm lens and the other with an 85mm you can quickly get two different perspectives of the same scene.
If I ever should think about some wedding photo checklist I would just packed my work and leave ASAP from wedding photography. Everyones wedding is unique and different and following a checklist in mind that I have "ALL" images done, would be a nail to a coffin for my very creative hungry modern brides and grooms :)... just my 50 cents, have been happily photographing 'some time' without any lists and my clients love it more and more from wedding to wedding... Happy shooting guys :) - http://www.povazanphotography.com/Vancouver-wedding-photographers-Povaza...WeddingWire makes the search for the perfect professional wedding photographer easy. All you need to do is enter a zip code or specific city and WeddingWire will show the local wedding photographers in your area. We have thousands of reviews from real couples, just like you, which are an absolute necessity when looking at all vendors, especially wedding photographers.
Just as important as getting some light in the eyes is having it come from a good direction. We’ve established overhead isn’t good direction, neither is straight from camera. So turning on your built-in pop flash isn’t going to give you good light. Neither is sticking a speedlight on top. Light direct from the camera angle flattens the subject, that is not what you want. You want the light to come from the side more, 30-45 degrees from camera is a good starting point. To learn more about this read my article on the 6 Lighting Patterns Every Photographer Should Know.
If you're working with a hair and makeup artist for your wedding day, now might be a great time for a trial. If you're just in town for the shoot, I can recommend some wonderful artists for you. While professional hair and makeup are not a must, it can help boost your confidence and ease the getting-ready process on the day of the shoot. I recommend staying away from bright whites, heavily visible logos, or crazy mismatched patterns. While trends heavily lean towards things-that-look-like-they-would-clash-but-they-don't pattern mixing, be careful that you don't go overboard. You don't want your outfits to pull attention from your faces!
There are a few bonuses to using accessories well (as well as layers). One is that changing them up a bit throughout the session can give you multiple looks without having to do many wardrobe changes. They can also be something that the subjects can interact with. A sassy little tip of the hat, holding the ends of a scarf while running and letting it billow behind you, grabbing the lapels of a husbands jacket while pulling him close for a kiss – all these little gestures and ways to interact (and become more comfortable in front of the camera) can be made possible with styling choices. Many of my sessions will feature items used outside their intended use or subject. My girls are often seen in mommy’s hats or scarves (scarves can be used in different ways like wrapped around their shoulders, as a hair piece, etc) and they love to wear my costume jewelry.