See #1 first of all. Then look at #6. Being a photographer means that sometimes you have to also become a comedian, or a clown. Knowing the right thing to say or do to make people smile is mostly experience. Sometimes you’ll get tough adults too. The dad in the photo above by the brick wall pretty much has the same expression all the time. I’ve known this family and photographed them for 13 years, they’re friends too. So I know I can bug him a little bit or get out the ducky to have some fun at his expense.
Pose your engagement ring and wedding bands prettily on your wedding day—they're symbolic of your union, after all. Photographer Cassi Claire says she returns to this particular shot over and again, especially when flipping through her own wedding photos: "I don't often wear my engagement ring while traveling, so this photo has been referenced many times."
This is the biggest question I get from almost all of my couples. While clothing is very subjective, your clients will seek assurance from you that their style is worth being photographed in. Regardless of what you say, your clients will probably end up wearing something they feel most comfortable in. However, from your experience, you can guide your clients into choosing to wear things that will look good in the camera.
There are the more obvious search engines like Google & Bing, but don’t forget about social media sites like Facebook & Pinterest. Facebook search has become pretty robust—and most photographers have a Facebook page where you can see their recent work. Or, try searching Pinterest for your location + “photographer,” and browse through options visually, to find someone with a style you like.
*Stay Awhile*When working with groups, be patient. Eleonora Chornaya, a pro from Kiev, Ukraine (www.evachornaya.com), advises that the best shots often come deep into a shoot, when subjects are tiring and lacking the energy for artificial seeming poses. In her father/daughter portrait above, she intentionally left her subjects alone “to give the scene time to settle. I watched them from a distance, and when they relaxed almost to the point of boredom, I took out my camera.” Learn to work with children. Bing Liem, who specializes in shots of his daughters, says that if you’re shooting children you should get down on their level at first. Then change your point of view. “Shoot from slightly above to emphasize the child’s eyes, or from below to give a child a monumental, adult treatment,” he says. Tilting the camera so the subject isn’t square within the frame is an effective way to produce tighter shots that don’t look like elementary-school portraits. “But be careful not to include door jams or windows in the background, because the tilted camera will show these normally horizontal and vertical lines askew, which can be subconsciously off-putting,” says Liem. And, “shoot in relaxed settings that the kids are accustomed to,” he advises. “Hauling out big lights only makes them nervous.” You should work quickly. “Flow from moment to moment,” counsels amateur Nolke. “Work with the child’s poses, expressions and moods. Don’t dictate.”Eleonora Chornaya
are beautiful and create interest in photos. I absolutely love using multiple textures and layers, especially important when working with a color palette a bit on the neutral or softer side (with a subtle color pop here or there). When I say textures one of the ways to achieve this is with different clothing materials and accents – tweed, crochet and embroidery details, lace, hand knit items, smocking, ribbons, ruffles, etc. Also, having different layers of clothing and accessories can add another dimension to the overall texture of the image. These details and added depth are especially important in black and white images. And it can be done beautifully with colorful brights or just pops of color here and there as well. Follow your own vision and style, also looking to what fits your subjects best.