There is plenty of advice on the internet on how to find a wedding photographer. And you know, most of it is actually pretty good. I assure you that is not a thing). But recently in the comments of some of our sponsored posts, it’s become clear that a lot of the advice out there is geared toward people who already have a handle on photography, people who can look at a photo and say, “Yup, that’s a great image.” But there isn’t really a ton of information out there for people who are at a photographic square one.
The first thing that we do together is choose a location. Then, we set a time for the shoot. On the day of the shoot itself, we will meet at our pre-determined location and get started! Instead of just walking from landmark to landmark and working through a set of pre-chosen poses, we'll take a walk and stop to shoot along the way. I'm looking for beautiful light, incredible backgrounds, and interesting compositional scenarios that we can use for your portraits. While I will set you in "poses", they're more gentle guides to interaction. I want to see how you are together, and how you're comfortable. If you're less inclined towards public displays of affection, rest assured that I won't have you do anything that doesn't feel natural to you. If you're exuberant and outgoing, I won't set you into poses that are reserved and hands-off.
You've put an incredible amount of time and energy into planning your wedding—naturally, you want the resulting photographs to reflect that. Ensuring that your big day is masterfully documented begins with choosing the photographer that's right for you in terms of media type, general aesthetic, and experience. That last point is key: A veteran wedding photographer ultimately knows how to manipulate light, work a crowd, and keep you comfortable in front of the camera. Ideally, you shouldn't worry about the photos they're taking or how they're taking them—the bond between the couple and their photographer should always come down to trust.
*Stay Awhile*When working with groups, be patient. Eleonora Chornaya, a pro from Kiev, Ukraine (www.evachornaya.com), advises that the best shots often come deep into a shoot, when subjects are tiring and lacking the energy for artificial seeming poses. In her father/daughter portrait above, she intentionally left her subjects alone “to give the scene time to settle. I watched them from a distance, and when they relaxed almost to the point of boredom, I took out my camera.” Learn to work with children. Bing Liem, who specializes in shots of his daughters, says that if you’re shooting children you should get down on their level at first. Then change your point of view. “Shoot from slightly above to emphasize the child’s eyes, or from below to give a child a monumental, adult treatment,” he says. Tilting the camera so the subject isn’t square within the frame is an effective way to produce tighter shots that don’t look like elementary-school portraits. “But be careful not to include door jams or windows in the background, because the tilted camera will show these normally horizontal and vertical lines askew, which can be subconsciously off-putting,” says Liem. And, “shoot in relaxed settings that the kids are accustomed to,” he advises. “Hauling out big lights only makes them nervous.” You should work quickly. “Flow from moment to moment,” counsels amateur Nolke. “Work with the child’s poses, expressions and moods. Don’t dictate.”Eleonora Chornaya
A lot of photographers like the warmth of film. Film has a texture and a quality that just can’t be reproduced in digital format (no matter how hard we try). Also, if someone says they use film, it means they were probably trained in a darkroom and have an understanding of cameras that goes beyond digital, so not only will your photos look different, but the experience of being shot on film will be different than working with a strictly digital shooter.
Oh Babies! I love babies! They don’t call them bundles of joy for nothing. I specialize in newborn photography due to the monumental joy a new life brings and I want to preserve those moments for your family in a unique and timeless way. Those little toes and sweet features mature and grow so quickly. It always comes as a shock to us mothers how fast time flies. This is why I am so passionate about providing families with high-quality images of their babies in a safe and comfortable environment.
“When I proudly tell my couples that I have an iPhone app to tell me when it’s golden hour they often laugh at me, but it can be magical if you catch the right light. Because the weather is so variable in the UK and because I shoot a lot of urban weddings where buildings block the sunset, when I see beautiful golden hour light I can’t help but get a bit excited. If you can schedule at least 15 minutes of your portrait session to happen just before sunset, it will totally be worth it if the weather plays its part.”
For us, all we wanted to do all day from the second we got up in the morning was to see one another! Our wedding day was such a huge day for us and we wanted to experience as much of it as we could together. Plus, we aren’t exactly huge fans of being the center of attention, so seeing each other before the ceremony gave us a sense of “ok, we can do this together.” When Marianne walked down the aisle, both of us were just floored because it wasn’t until that moment that it hit us: we are getting married today. We are getting married right now! This is the beginning of the rest of our lives together!
JAALAM IS AN AWARD WINNING, NATIONALLY PUBLISHED PORTRAIT PHOTOGRAPHER. HIS WORK HAS BEEN FEATURED IN NUMEROUS MAGAZINES AND PUBLICATIONS. PREMIERE IS HIS PHOTOGRAPHY STUDIO WHICH WAS ORIGINALLY LOCATED IN COLLEYVILLE, TX. HE NOW SPLITS HIS TIME BETWEEN PANAMA CITY BEACH, FL AND FORT WORTH/ DALLAS, TX WHERE HE CONTINUES TO PHOTOGRAPH HIGH SCHOOL SENIORS, COMMERCIAL PHOTOGRAPHY, PORTRAIT PHOTOGRAPHY AND IS AN IN DEMAND WEDDING PHOTOGRAPHER. AS A PHOTOGRAPHER HIS GREATEST ACCOMPLISHMENT IS HAVING HIS PORTRAITS HANG ON THE WALLS OF CLIENTS ACROSS THE COUNTRY.
Moms are often rushing around before a photo shoot, making sure that their family is dressed and ready. I always encourage mothers to have their hair and makeup professionally done. This will prepare mom for her pictures and when mom is feeling pretty and confident, this will reflect on the rest of the family as well. Leave plenty of time for showers, baths, dressing, and grooming. When a family shows up to a family photo session rushed and disorganized, it sets the tone for a rushed and disorganized session. Give yourself extra time so that you are ready before it’s time to head out that door.
Blooming Tree Photography is a family-oriented photography studio located in Frisco, Texas. Jessica, their photographer, specializes in child, family, and newborn photography, and is an expert in custom portraiture and lifestyle photography. Blooming Tree Photography’s style is natural, and driven by Jessica's passion for capturing intimate family moments to be shared with everyone.
One advantage of DSLRs is how much they just “get out of the way”. Maybe it seems silly, but when shooting a DSLR I never really have to think about the process of using the camera, with all the mirrorless cameras I’ve used there always seems to be something that gets in the way (poor EVF brightness or refresh rate, slower autofocus speed, ergonomics, button placement and how quickly they make adjustments – the list goes on).
[…] I decided to use the techniques I had practised with during my test shoot with the doll, anbd bring them into the shoot I did with the real newborn, as well as looking online for any tips that could help me with getting the images perfect. I found a site which talked me through the different poses, the best way to move the newborn and then preparation before hand, I found the advice quite helpful: DIY newborn shoots […]
“Hiring Maddie was without a doubt the best decision we made for our wedding! Maddie is so much more than a photographer - she found us an amazing trail to hike for our photos, helped create a realistic day-of timeline, and even patiently taught me how to drive on rough 4WD roads on the way to the trailhead. Maddie goes above and beyond what you would expect from a wedding/elopement photographer. She provides so much detailed information that wouldn't have even crossed my mind in the planning process. What kind of dress do you wear for an adventure elopement? What do you pack? How do you do your hair and makeup while hiking? She's seriously got it all covered in the files she sends you. So not only is Maddie amazingly detail oriented, she's also super easy to get along with. My husband and I are both shy, introverted, and a little awkward in front of a camera. We were instantly comfortable with Maddie; she gave us such a great pep talk right at the beginning that almost made us forget there was even a camera. We had such an amazing time hiking and exploring with Maddie on our wedding day. Even if you're not exactly sure what you want to do for your intimate wedding/adventure elopement, just talk to Maddie. She's got such a wealth of experience and seemingly endless great ideas; you really can't go wrong. After just one conversation with Maddie you can see just how passionate she is about her work. Just five stars doesn't do Maddie justice; she's an incredible photographer and person.”
I think newborns look best photographed naked, or in just a diaper, or in a plain white onesie. Most baby clothes are way too big for newborns and just don’t photograph very well. Keeping the clothes extremely simple keeps the focus on the baby. However, naked babies are cold babies, so keep a space heater going right next to your baby the whole time you are photographing him. You’ll end up covered in sweat, but your baby will stay comfortable.
*Staging Is Okay*While it’s not good to pose people, it can help to stage a shot. Know, for example, where the best light in your home is, and coax your subjects into it. If possible, declutter those spots beforehand. Sue Barr, a pro based just outside of New York City (www.suebarr.com), recommends semistaging a shot using wardrobe. “Try to dress everyone in similar tones—it will visually unify the group and makes exposure easier, too. Not too matchy, though.”(Above Photo) For this after-dark shot of his child, Teddy Madison mimicked daylight by placing his strobe out on the lawn.Teddy Madison
Nursed Shots – some of the bests shots I’ve taken over the last month have been taken when people have been nursing Xavier. This puts him into a more upright position which makes him look a little more ‘human-like’ and opens up the angles for your photos. Try a number of positions (over the shoulder, sitting him up, laying him back in arms, lying him on his tummy etc) as each one opens up different possibilities. Also remember that your baby is not the only potential subject – parents, grandparents, siblings, friends etc all can add context to the shot and you’ll appreciate having more than just baby by themselves shots later!
When shooting in wide open locations and it involves kiddos, I love to have some movement and flow in their clothing and accessories. Little ones are fond of jumping, dancing, and being wild. Nothing better than a twirly, whirly dress to accentuate all that beautiful movement and childhood innocence. Something as simple as a scarf trailing behind or a playful super hero cape can be fun for the boys.