For example, I (obviously) use the photos I shoot for work differently than than those I shoot on my own time--and because the two overlap, I end up with a lot in both locations, but I keep them organized differently. At work I put everything in folders by camera name; at home, by date and location of the shoot. For a coarse level of retrievability, if you just use a utility to rename all the files to something basic but meaningful, like "stair cats in Queens," (plus a file number increment, of course) you can search the file system. Then it's pretty easy to visually scan the thumbnails for the photo you want. If you'll need to find photos more frequently, then it pays to step up to a program that, say, lets you flag the photos you like; flagging quickly narrows down the results of your search when you're looking, but doesn't take a lot of time up front (especially if you use software that lets you quickly scan and flag).
Morning Sessions will be provided by Kristina. She is freshly getting into photography and will be establishing her own style and techniques with every shoot she creates. Sunset sessions will be captured by our lead photographer Stan. With over 10 years of experience Stan has a developed style that is seen all throughout the website. He is sure to provide you and your family with experience and stunning images you will love.
For large families and family reunions we offer our “Complete Family Coverage.” We will come to your event and photograph your family in large and small groupings. Four hours of the photographer’s time is included and we will photograph as many groupings as we can within this time restriction. (Three hours of photography and one hour of viewing and ordering.) Add on “Candid Coverage” for just $150 and everyone can view these candid images online. The “Complete Family Coverage” is cost effective as the session fee is spread over a large group of people getting photographed.
My approach to this particular point may not reflect your opinion as a photographer, but I am a strong believer in a good spa day to make me feel all better. This is true for most of the ladies out there. No offence to boys who are reading this, but my first priority is to make my female clients happy and feel fabulous. After-all, happy wife, happy life, right? Hence, I arrange for a hair and makeup time for my brides right before the engagement session. This is the biggest reason I want them to disconnect from everything they do that day and take a day off. I want them to relax and get their hair and makeup done professionally. This is all done at no charge to my clients. I pay for the services of the hair and makeup artist and I am more than happy to do so. This little trip to the professional salon will assure that your female client will look amazingly confident in front of the camera.
Light can make or break any photograph, portraits are no different. The very derivative of the word photography is “drawing with light”. The biggest thing you want to make sure you do for portraits is get light into your subjects’ eyes. There are many ways to do that and that’s a whole huge topic but there are a few things you can do to set yourself up to start off with good light.
Ask for personal recommendations. The best wedding photographers will tend to develop a reputation, and may be known locally to your friends are family. Start your search by asking people you know and trust if they have any recommendations, either through personal experience, or word of mouth. Talk to people you know who have got married in the last few years and ask about their experience.
Inspiration is everywhere – probably even in the form of Pinterest emails from your client. It is a great idea to have some poses in mind before you arrive at the session. However, like letting the love story of a wedding day unfold organically, I believe the best images are unplanned and inspired by the uniqueness of each baby. Whether it is cute dimples, big beautiful eyes, full lips, or a great head of hair, try to highlight the beauty of the baby.
#2 – it allows you to get your eye away from the camera so you can actually make eye contact with your subjects. They are very real people and they feel even more uncomfortable staring straight into your lens than they do looking at you. You can make gestures to get kids attention, or make faces. But you’ll get way better expressions by interacting with them than you will looking through the viewfinder. Try it!
[…] One more step to shoot inside, is to really zoom in on your subject. You can get up nice and close physically to your subject or you can put on a lens that allows you to get close without getting in their personal space. By getting close, you eliminate any distractions that might be around the house. Get closer than you normally would – focus on the eyes, or just the face, or little hands and feet. Get all of those little details up close. […]
This is more of a personal choice, but I tend to choose clothing that is timeless, perhaps a little vintage in style. Whatever your style is, make sure your choices won’t look terribly dated years from now (or months in the case of some quickly passing trends). I personally love to use softer or neutral tones (with a color pop here and there) and classic shapes, then add interest with accessories, layers and lots of interesting textures. I also happen to love bright and colorful as long as it’s not obnoxious or distracting from the subject’s personality and face. Of course, this is a personal choice and many families will choose to go all out in the latest trends, thinking of their clothing choices as a sort of time stamp in their images.