Firstly timing your shots is important. Babies don’t move much but they subtly change their position and expressions in ways that can make or break a photo. I’ve had my camera set in continuous shooting mode since Xavier was born because I find that shooting a single frame often misses ‘the moment’. I’ve also ended up with some wonderful sequences of shots by shooting off three or four shots in a row.
I just wanted to say THANK YOU! I am not as experienced in newborn shoots as I am with other types and my latest one just kicked my butt! I’ve been trying to edit a particular image for 2 days. And then… I found your tutorials and it made all the difference in the world. I also really needed to see that you started out shaky with your own kids and how you’d improved. Sometimes, I forget it’s ok that I don’t know everything yet. Thanks again!
Avoid hiring family or friends. It may be tempting to hire somebody you know to be your wedding photographer. You may be drawn towards hiring someone you trust, who knows you and your partner well, and you think will understand what kind of pictures you want. While this might turn out perfectly well, it is highly likely that this person will not have the technical skills and experience to give you the best photos.[2]
"I recently did a photo shoot with James and he was great! I contacted him 4 days before I needed to have the photos done and he was responsive within 15 minutes. He is really flexible with times and locations. We went to a few cool locations downtown that I would have never thought of. Very nice young man who knows what he is doing. I would do another photo shoot in the future!"
Cinnamon Dreams Photography & Weddings is a wedding planner and photography studio in Dallas, Texas, serving clients in Ft. Worth, Plano, Frisco, McKinney, Highland Park, Irving, Addison, and the surrounding DFW area since 2011. This studio specializes in bridal, wedding, engagement, family, child, corporate, and executive photography, as well as wedding planning packages. Cinnamon Dreams Photography & Weddings has been featured in Style Me Pretty wedding blog site.
You won't be able to nail down an exact dollar amount until you're sure of what you want, how many albums you need and where your photographer is based, and packages range from $2,500 all the way up to $15,000-plus on the higher end of the spectrum. When interviewing candidates, ask for a general range based on the photographer's standard "shooting fee" and package, plus their standard rates for the type of album you think you'll want and the amount of coverage you're hoping to book them for (day of, full weekend). It's important to find out what's included in the standard package, plus the basic range for any extras you may want, like an engagement shoot, special effects or additional coverage, so you can compare rates. In particular, find out exactly how many hours of coverage are included. Ideally, you want your photographer to be there for your full wedding day—from when you start getting ready until after you make your grand exit from the reception. While packages vary, most include about 6 to 12 hours to cover everything from preceremony events (getting ready with your bridesmaids or first-look photos) to the end of the reception. It's usually better to pay for more coverage if there's a chance you'll run over and you definitely want your photographer there until the end (overtime is usually charged at a higher hourly rate). Also consider whether you'll want to do an engagement shoot or have your photographer shoot other events during your wedding weekend (the guys' golf outing, the bridesmaid lunch). 

Weddings are in the air during this sunny season, but it's also an ideal time to shoot your engagement photos, especially if you want a beachy backdrop or cloudless, rustic setting. If you're opting for the great outdoors, flat shoes, breathable fabrics and shorter hemlines are a must. Whether you like to sport vibrant prints or breezy nautical looks, summer engagement photos are the perfect chance to show off your casual-chic style.


Just as important as getting some light in the eyes is having it come from a good direction. We’ve established overhead isn’t good direction, neither is straight from camera. So turning on your built-in pop flash isn’t going to give you good light. Neither is sticking a speedlight on top. Light direct from the camera angle flattens the subject, that is not what you want. You want the light to come from the side more, 30-45 degrees from camera is a good starting point. To learn more about this read my article on the 6 Lighting Patterns Every Photographer Should Know.
Love the way you make this tutorial so easy to follow and understand every step of the way. Eager to start taking precious photos of my active three great grandkids, 3-4- and 10. Wished I knew like you how to take The Great Photos when they were each born. A friend will be having her baby soon, maybe I will get the second chance again Keep up the good work your doing here Autumn, looking forward to learning more, even at my age. Being a Grandma and having a camera are two of my favorite things in Life !
When shooting outside after a ceremony or during the posed shots you’ll probably want to keep your flash attached to give a little fill in flash. I tend to dial it back a little (a stop or two) so that shots are not blown out – but particularly in backlit or midday shooting conditions where there can be a lot of shadow, fill in flash is a must. Read more about using Fill Flash.
The photographer at Barefeet Photography and Design has more than five years of photography experience. The photography studio, based in Richardson, photographs newborns, children, seniors, and weddings. The business also runs photography workshops for parents who want to learn how to photograph their kids. Clients have praised the photographer for her ability to make her clients feel comfortable in front of the camera.
You won't be able to nail down an exact dollar amount until you're sure of what you want, how many albums you need and where your photographer is based, and packages range from $2,500 all the way up to $15,000-plus on the higher end of the spectrum. When interviewing candidates, ask for a general range based on the photographer's standard "shooting fee" and package, plus their standard rates for the type of album you think you'll want and the amount of coverage you're hoping to book them for (day of, full weekend). It's important to find out what's included in the standard package, plus the basic range for any extras you may want, like an engagement shoot, special effects or additional coverage, so you can compare rates. In particular, find out exactly how many hours of coverage are included. Ideally, you want your photographer to be there for your full wedding day—from when you start getting ready until after you make your grand exit from the reception. While packages vary, most include about 6 to 12 hours to cover everything from preceremony events (getting ready with your bridesmaids or first-look photos) to the end of the reception. It's usually better to pay for more coverage if there's a chance you'll run over and you definitely want your photographer there until the end (overtime is usually charged at a higher hourly rate). Also consider whether you'll want to do an engagement shoot or have your photographer shoot other events during your wedding weekend (the guys' golf outing, the bridesmaid lunch). 

“I believe in people’s individuality and connection. Everyone loves differently and everyone’s story deserves to be told. I try to tell the story I’m presented, not faking things, but instead seeing the beauty in everyone and shooting my story that way.” he later goes on to say “I started shooting weddings because I thought wedding photography was awful, I wanted to see if I could do it differently. And that was always my compass. When the word of “my style” spread it more and more became the norm, but the world is a big place and cultures are different. I always adapt, but I stay true to what I believe in.”
When shooting outside after a ceremony or during the posed shots you’ll probably want to keep your flash attached to give a little fill in flash. I tend to dial it back a little (a stop or two) so that shots are not blown out – but particularly in backlit or midday shooting conditions where there can be a lot of shadow, fill in flash is a must. Read more about using Fill Flash.
In order to capture your newborn in adorable curly poses, you should take newborn photos five to twelve days after giving birth. If you want your baby’s sleepy and curly newborn demeanor to be photographed, try not to wait any longer than two weeks for the newborn session. When it comes to setting a date, you should reach out to your photographer before giving birth to avoid any added stress in clearing your calendar. Typically it’s a good idea to schedule the session to take place a week after your expected due date. The date may change seeing as how baby will arrive when baby wants. However, you should do your best to give your photographer a tentative date since classic newborn photos of your baby curled up, like they’re in the womb, have a short window of time to be taken. If you’re working with a popular photographer, book your session 2-3 months in advance of your due date.

See #1 first of all. Then look at #6. Being a photographer means that sometimes you have to also become a comedian, or a clown. Knowing the right thing to say or do to make people smile is mostly experience. Sometimes you’ll get tough adults too. The dad in the photo above by the brick wall pretty much has the same expression all the time. I’ve known this family and photographed them for 13 years, they’re friends too. So I know I can bug him a little bit or get out the ducky to have some fun at his expense.


Two months before: Trying out wedding day looks? Schedule hair and makeup trial appointments the same day as your engagement photo session to capture a preview of your wedding day fabulousness on film (you could do the salon in the morning and the photo studio in the afternoon). Factor in some in-between time for damage control, on the off-chance that the salon results aren't as great as you hoped.
As a wedding is a one-time event, the photographer must be prepared for the unexpected. Covering a wedding is both exhausting and invigorating as the photographer is constantly looking for good angles and opportunities for candid shots. Communication and planning time-lines before the event will alleviate many of the stresses associated with photographing a wedding. The ability to tactfully take charge also helps - particularly when photographing large groups or families - a common expectation after the ceremony. Having a run list with all of the expected shots is also a useful tool. A photographer may work with an assistant who can carry equipment, arrange guests, and assist with clothing adjustments or holding of reflectors.
“Kate let our son have his space but also got him back on track playing, having fun, and following her direction. Her reviews are incredible and every positive thing you read is absolutely true. Not only are the photos beautiful, they’re filled with emotion. Anyone can take a picture of you smiling at the camera but to capture personalities and emotion is a special talent.”
In addition to newborn and twin photography, Silver Bee provides a wide range of photography services in Austin, Texas. Newborn photography is one of our favorites as we thoroughly enjoy watching little ones grow up and capturing that growth on camera! Our family photography sessions are quite popular, as well. We really enjoy working with the entire family! And it all starts with the maternity photography sessions. From the very beginning stages we capture those beautiful moments on camera so that your memories can last a lifetime!
Clothing is the most important element of a photograph. I welcome multiple wardrobe changes during my photo sessions. I generally recommend dressier, layered, non-matching clothing as it adds more depth and character to the photograph. An easy way to achieve this look is to add, scarves, leg warmers, boots, big costume jewelry, jackets, glasses, hats, etc. It is important to keep in mind that photographs will appear more fluent with low contrasting colors. This includes not only your clothing but also the location, background, lighting and surroundings.  Please click here for our “What to Wear Guide”.
If you are doing the session in the client’s home, posed newborn sessions require nearly the same amount of prep as a wedding.  You need quite a bit of “stuff” and it is easy to forget something so I make sure to pack the night before and use a checklist so I don’t forget anything (I’m a mom with a very limited memory).  To make your life a bit easier, I’ve made a print ready checklist you can use which is included in the newborn photography toolkit – one of the FREE limited time bonuses included in our online Newborn Photography Workshop.
I think newborns look best photographed naked, or in just a diaper, or in a plain white onesie. Most baby clothes are way too big for newborns and just don’t photograph very well. Keeping the clothes extremely simple keeps the focus on the baby. However, naked babies are cold babies, so keep a space heater going right next to your baby the whole time you are photographing him. You’ll end up covered in sweat, but your baby will stay comfortable.
When it comes to props, I gently discourage them. The point of the engagement session is to create beautiful portraits of you two together, and the addition of props is just a distraction. I know that there are many websites that will encourage you to bring vintage items, huge bunches of balloons, signs to hold, and so forth, but then the entire engagement shoot becomes all about those props and less about you two together. If you have always dreamed of running across the Brooklyn Bridge together holding a huge cluster of balloons, then let's do it….but let's open the session with that and then put the balloons away. Likewise, if you have a Thank You sign or a Save The Date sign, let's shoot those quickly and then tuck them in your bag. I want to create a shoot that fully brings to life your vision for engagement pictures, but I also want to focus on you!
In my 6 years in business, I have photographed over 300 newborns, I have taken posing and safety workshops, I've had three babies of my own! :) Let's not forget to talk about, insurance; yes, I'm fully insured! Although reasonable DSLR cameras are easily accessible to consumers, what matters most is the skill it takes to manually and creatively use that equipment. I have personally invested over $40k in camera, lenses, studio lighting, computers, latest editing software, management systems. Over 20K in quality newborn props; backdrops, floors, outfits, headbands, hats, wood props, blankets, wraps to name a few but that's just the expense of want it takes to produce an image, it does not include my CODB; taxes, licenses, memberships, subscriptions, fees, marketing..etc. It's an investment I have made and will continue to make into my business. Most importantly and above all else, a commitment I make to every single client of mine that I will produce the best possible photographs.
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No me neither! Because our wedding photography tips and tricks have got you covered. Lots of modern cameras like the Canon 5D or the Nikon D750 have dual card slots meaning each image is recorded to two cards. This eats away a lot of memory. So it’s an idea to have lots and lots of memory cards. Our preference is to have around 100gbs worth of memory cards per camera.
When I was first learning how to use my camera, lighting is what I had the most trouble with. It is so important to learn though. Lighting can make or break a photo. All the other settings can be correct, but a badly lit image will ruin it. When looking at a photographers work, you’ll want to look how their subjects are lit. You want nice even lighting without spots from the sun on a subjects face or front of the body. The image below is back lit. The sun is hitting the back of my son (don’t mind his messy hair!) and rimming him nicely. Notice there are no sun spots on his face or the front of him. The lighting on his face is nice and even. In the second image he was in the same spot, but I moved my position. The sun is now hitting his face. That side of his face is very harsh and the exposure is blown, while the side that is in the shade is correctly exposed. It I had exposed for the sun on his skin, the side in the shadow would have been underexposed. If I moved my position even more the sun would have been completely hitting him on his face. He would have been squinting and the light would not have been pleasing. You also want to avoid dappled light on the subject. Dappled light is when there are clusters of light spots on your subject.
As you’re looking through portfolios, keep an eye out for what identifies the photographer’s portfolio as distinctly their own. It might be that they take super crisp images with really high quality lenses. Or maybe they use their grandfather’s camera to take old school black and whites. A photographers’ favorite tool will tell you a lot about the way they see the world (and while you can get an idea of this from their portfolio, don’t be afraid to ask them about it. I could geek out forever over my plungercam. And any photographer who uses film could spend hours telling you why).

In my 6 years in business, I have photographed over 300 newborns, I have taken posing and safety workshops, I've had three babies of my own! :) Let's not forget to talk about, insurance; yes, I'm fully insured! Although reasonable DSLR cameras are easily accessible to consumers, what matters most is the skill it takes to manually and creatively use that equipment. I have personally invested over $40k in camera, lenses, studio lighting, computers, latest editing software, management systems. Over 20K in quality newborn props; backdrops, floors, outfits, headbands, hats, wood props, blankets, wraps to name a few but that's just the expense of want it takes to produce an image, it does not include my CODB; taxes, licenses, memberships, subscriptions, fees, marketing..etc. It's an investment I have made and will continue to make into my business. Most importantly and above all else, a commitment I make to every single client of mine that I will produce the best possible photographs.

Knowing the reason why you want the photos, it’s easier to choose the style of photographer you will look for. You already know that you want a family photographer (or newborn, birth, birthday’s party, etc). Then you can start by searching on Google, Instagram, or Facebook along with the name of your city. You will have a good idea of some options that you will have.


Three months before: If you plan to submit a shot with your newspaper wedding announcement, check their guidelines for specifics and schedule a picture-taking session at least three months before the wedding. Larger newspapers ask to receive wedding submissions up to six weeks before the event, and you'll want to factor in four to six weeks before that deadline to see your proofs and make prints.
“When I proudly tell my couples that I have an iPhone app to tell me when it’s golden hour they often laugh at me, but it can be magical if you catch the right light. Because the weather is so variable in the UK and because I shoot a lot of urban weddings where buildings block the sunset, when I see beautiful golden hour light I can’t help but get a bit excited. If you can schedule at least 15 minutes of your portrait session to happen just before sunset, it will totally be worth it if the weather plays its part.”
I am a national award-winning children’s photographer, but I’m also a mom, and I look at kids through the eyes of a mom. I know that some of the most cherished photos you’ll ever have of your children are not the perfectly posed, clean-faced, well-dressed, sweet-smiling photos that our parents wanted, but rather the authentic, digging in the mud, feet in the cake, finger up the nose sort of moments that can’t be duplicated and will never be forgotten (future boyfriends/girlfriends beware!). Now that my own kids are in high school, I think the little things that young kids do are seriously funny, though I realize that right now, you might not see the humor. I promise you, in 10 years, it will become clear when you look at the photos we create together. Optical Poetry is a laid back, high-end portrait experience that begins with collaborative planning of wardrobe and location and ends with the delivery of your artwork as gallery-wrap canvas collections, gorgeous albums and heirloom quality prints to be cherished for generations.
Whilst this isn’t one of our essential wedding photography tips it can be a useful one. Shooting with two camera bodies means you have at least two memory cards storing the photos of the day. If one card was to break you have a backup. Moreover, two camera bodies allow for speed on the day versus changing lenses on one camera body. If you have one camera set up with a 35mm lens and the other with an 85mm you can quickly get two different perspectives of the same scene.

Don’t see a shot list as necessarily being a bad thing. Have some shots in mind that you and the couple have discussed prior to the wedding. This way you can discuss the feasibility of the ideas. Plus if they want a shot with Auntie Edna you will know to capture that specific photo. A shot list can be unnecessary for the things you know you will capture. But for the more obscure things a couple wants photos of it can be a great thing.


Before you do the fancy stuff, like fix red-eye and crop, you must delete! Send awkward faces, closed eyes, blurry, overexposed (too light) or underexposed (too dark) shots to the trash immediately. Next, tackle duplicates. Decide which smile or pose you like the best when photos are very similar, then delete the rest. "The fewer photos you end up with, the easier it is to sort and store them," says Walsh.

The owner of the pictures' copyright is often explicitly stated in the contract for photographic services.[2] Without such explicit statement, the owner of the pictures' copyright will depend on the country involved as copyright laws vary from country to country. Photographers who do not retain copyright of the images often charge more for their services. In these cases, the photographer provides the client with the digital images as part of the wedding package. The client then has unrestricted use of the images and can print any that they may desire. Similarly, there are some photographers that offer joint copyrights of the digital images so they can also have unrestricted use of the images for reasons such as advertising.
Baby pictures are among the most popular types of portrait photography, and most newborn photographers are well versed in the best places to take baby pictures in their local areas. Some newborn photographers will come to the hospital to shoot the baby within a day or two of birth, while others have set up their studios to accommodate the needs of infants. Some parents prefer to have the newborn photographer come to their home or travel to a favorite park or other outdoor location. Like any portrait photography, the best place to take baby pictures is the place you like best and that will yield the types of photos you want of your baby, whether that’s posed and carefully lit studio portraits or spontaneous, casual photos at home. Work with a local newborn photographer to find a safe, calm location with great lighting and some privacy for your family.
Get Down Low – one key to many natural baby shots is to get down on their level. I’ve spent quite a bit of time over the last week or two lying on the floor next to Xavier. It’s something I think we both enjoy anyway but it’s also a great place to use your camera. Getting down low and getting in close (see below) does present some challenges in terms of focal length (I’m using a 24-105 zoom – usually at the widest focal length) but it means you end up with shots that feel like you’ve entered the babies world rather than you’re looking down on it from above.
"I recently did a photo shoot with James and he was great! I contacted him 4 days before I needed to have the photos done and he was responsive within 15 minutes. He is really flexible with times and locations. We went to a few cool locations downtown that I would have never thought of. Very nice young man who knows what he is doing. I would do another photo shoot in the future!"
Jane Dowd Photography is a photography studio based in Southlake, Texas, serving the areas of Dallas/Fort Worth, Southlake, Grapevine, Colleyville, and beyond. This studio specializes in high school senior, family, and engagement photography, and also offers workshops. Jane Dowd Photography crafts exquisite images that are both organic and timeless, earning them 4.7 stars out of 5 stars on their Facebook reviews.

It’s important to know a little about the photographer you are choosing. Read their “about” page, talk to them, understand their motivations and style. If they have a blog, read their blog, look for connections, ask them questions. When a connection between the photographer and the family happens, the chances of the job flowing well are huge. The family feels more relaxed and the photographer feels free to create. The result is usually the best it could be.
Picturesque Photo Video captures photos of newborns and children as well as engagement portraits, wedding photos, corporate event photos, and senior graduation photos. The Dallas photo studio also captures videos of weddings, Quinceaneras, and corporate events. The business won the 2013 WeddingWire Bride’s Choice Awards and the 2014 Couple’s Choice Awards. Clients have praised Picturesque Photo Video for its professional photographers and their discrete presence at events.
Keep on the look out for those times in your baby’s life when he or she seems most settled and content. They may not smile yet but there are times in a daily routine which are better than others for photos. I find in Xavier’s day there are a couple of moments that are especially good. One is bath time (he loves it) and another is mid morning after he’s had half of a feed and when we let him have a little ‘play’ before finishing his feed off. These are times when we’re guaranteed to get wide open eyes and even a giggle or two.
It is totally, 110% o.k. if you prefer to wait. We aren’t pushing first looks as the best and only way to plan your wedding day photography timeline (although doing a first look does give you a lot more flexibility in your timeline). We have just heard sooooo many couples say that they want to do a first look, but they think that it will take something away from the ceremony. It doesn’t. If you want to do a first look, then do one. If you don’t, then don’t. This is your wedding, so do what you want to do!
For Teens and Couple sessions we do some location hopping to 4-5 different spots close in driving proximity to each other. We can often include all three types of locations, but usually at least two of these settings. I LOVE photographing couples/engagements, but I do not shoot weddings, and I understand that some want the same photographer for both.

Love is Love Photography is a photography studio located in Dallas, Texas that serves the areas of Keller, Grapevine, Dallas, Fort Worth, and beyond. This studio specializes in candid family portraits. Clients pay $350 to secure their reservation. With Love is Love Photography, no image two images are the same; they take each photo with a unique stylistic approach.
Jessica’s outdoor sessions are all done in beautiful spots around the Dallas area. Our Field location’s provide a fabulous backdrop and stunning lighting for her gorgeous sunset photography. Along with all the props, blankets and hats for newborn and baby photography, the studio offer maternity gowns for clients to use too. As a baby and newborn photographer, Jessica focuses on capturing the squishy goodness of your little bundle. While there are props, hats and blankets for the infant, they don’t distract from the details of your newborn like tiny, perfect toes and chubby, little cheeks.
I know many portrait & wedding photographers love to shoot wide open at f/1.2 & f/1.4.  However, with newborn photography, many of the baby poses can have extreme angles and you often will have better luck with your depth of field and sharpness by shooting around f/2 & f/2.2.  Remember, it will be rare that the baby’s eyes are on the same plane of focus all the time and by closing down my aperture a bit from wide open I get that little bit extra of depth of field that is often needed.
Thanks so much for this. I’m not a photographer but I understand lighting and just want to know how to set up and get the “look” of shots I see all the time. I’m so grateful for all of this info especially as I’ve just found out I’m having a boy so now I need to find poses that will work as I can no longer do the whole headband and ruffles thing lol! I can’t wait. 🙂
I really like your site and the tips you give on photographing toddlers, children, and newborns! They are so very helpful. I think your photos look 100% professional! I was wondering if you had any articles on photographing babies (older than newborns)? My son is 6 months old and I want to photograph him. If not, these tips are still super helpful! Especially the other article that includes the links on how to make different backdrops! Thanks!
As a Dallas baby photography we love to give the best birthday experiences! Cake Smash sessions are a great way to celebrate your baby's  milestone! One year cake smash sessions are typically held a month before your child’s first birthday. We offer two cake smash set up options, Classic White set up or Themed Cake set up and we will be provide the cake for both types of sessions. These sessions include anywhere from 15-40 images depending on how well your child responds to the cake smash. Every child reacts differently but it is very rare we can not get good images! We got you covered! Our studio has a bath tub and we keep everything on hand, including towels, wash cloths, baby soap and plastic bags for your dirty clothes!
5.  Consider some technical details.  There are photos I took 5 years ago that I thought were amazing at the time and now realize they were out of focus, or my editing made the people look purple, or the highlights were blown out.  If you (like a normal person) haven’t spent a lot of time poring over tons of professional photos with a discerning eye, you may not really know what to look for.  Maybe some of these finer technical points wouldn’t bother you, or maybe the photographer you can afford isn’t quite as technically proficient as the photographer who charges $500 more.  That’s okay, these are just a few things to consider.  First let’s talk about focus.  Often, the best way to tell if a photo is properly focused is to look at the eyes.  In the two photos below, you can see a lot more detail in her eyes on the left than on the right.  I missed the focus on the second image, so that one was not given to my clients.
Some wedding photographers offer their services on an hourly basis, such as $250 per hour. Hourly rates are not as common as set package pricing — especially during the peak wedding season months of spring and summer — but are typically offered by independent photographers or those just starting out. Hourly rates can vary, depending on geographic location, photographer experience, day of week and time of year. When hiring a photographer on an hourly basis, use a clearly written contract and be sure to specify what printing rights you'll have to the photos, and whether the hourly rate includes post-production editing or if that will cost extra.
"AMAZING! Stop looking and just book with him. Garrett is very professional and genuinely cares about his clients. He has amazing prices and really is willing to work with you. I was hesitant about hiring a professional photographer but I am so glad I did because the photos look amazing. If I ever need a photographer I will definitely be hiring him again."
…and think outside the box. Scarves, hats, flowers in the hair for girls, jewelry, sweaters, vests, jackets, etc. – all these things can take a ho-hum image and make it feel “complete.” Don’t let the accessories overwhelm the subject or the photos though. I believe that especially with sweet babies and toddlers that they don’t need much in the way of “accessories.” Little kiddos are beautiful in their simple purity, and I want them to be the star of the show instead of making one’s eye go straight to a giant headband as big as their head as they sit awkwardly in a big bucket. I want the viewer to notice my subject and their personality first. The accessories and clothing should just complement them – not be center stage. Choose your accent colors and fill in outfits with those punches of color in accessories. For instance, if big sister’s patterned dress has tones of aqua, coral and gray, have mom wear a coral headband and little brother in an aqua pair of Converse and bow tie. Show off the kids’ and your unique personality with accessories!
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