If you have a dSLR and any lenses with wide aperture capabilities (like a 28-70 2.8 or even a 50 1.8) I’d recommend using one of those lenses and keeping your aperture open fairly wide, around 2.8. That will help to blur the background and make the photographs look a little more professional. If not, don’t sweat it – turning off your flash will force your camera to use the widest aperture it’s got (using the portrait setting will also help here). Your camera may have a harder time keeping the shutter speed high if it’s not very bright in your house, so consider using a tripod if you have one. Better equipment sometimes makes for better photos, but knowing how to use what you have is really more important. If you have a few months before your baby is born, spend a little time getting to know your camera. If you don’t have time to practice, following my tips will still help you improve your photos.
Timing for the session depends on two things : location and time of year. If you're wanting to shoot in Manhattan, Brooklyn, or downtown Philly, we may need to adjust our start time because of the buildings. What do I mean by that? In the city, the sun goes behind the buildings before it goes below the horizon, so you lose the light in the city before the sun has actually set. Generally as a rule of thumb, I recommend starting engagement sessions in the warmer months around 4:00pm, and around 3:00pm in the winter.
Babies look peaceful while sleeping — and they are also easier to work with for photographs because they aren’t going to pull out of that swaddle. That doesn’t mean you can’t photograph a newborn that’s wide awake, but be aware that many of the poses you see aren’t possible with an alert baby because they wiggle out of that perfect placement of the hands and toes.
The absolute beauty of digital photography is that you can shoot and shoot and shoot. It might be tempting to delete images that don’t work right away but just hold fire. There is plenty of time for culling in post-production. You don’t need to add another job on the wedding day. Additionally, you have to think that images can be manipulated in the editing, whether that’s cropping or sharpening slightly. Another point is that your mistakes allow you to see where you went wrong and help you to improve.
So whilst we aren’t advocates for fixing in post, the RAW format just generally gives greater flexibility in post-production. You get a lot more control over things like white balance, exposure and shadow recovery than you would with a jpeg file. This is particularly helpful with weddings as the lighting is unchangeable (unless you use flash). The ability to manipulate these features after the fact is a great help to most wedding photographers.
Nothing is worse than one photographer trying to conduct two large families for photos. I like to plan a time for the bride's family to be there, and shoot their photos, then I'll have the groom's family come to shoot everyone together, then I ask the bride's family to leave while I shoot the groom's family. Works like a charm. The last thing you want is for people to be standing around waiting on you. (Thanks Michaelle Parsons Mulhollan)
The photographs from your wedding day will be a timeless memento of a truly special day. Wedding photographers can be very expensive, specialise in a number of different styles, and offer a variety of levels of service. Choosing a wedding photographer takes careful thought and consideration about what sort of pictures you want to document your wedding day. Do plenty of research and interview a number of candidate before making your choice.
Angela Weedon Photography is a premier family photographer serving the Dallas area for more than 16 years. They are dedicated to producing timeless wall portraits and heirloom albums featuring families, expectant mothers, newborns, and children. Their team is also highly experienced in photographing high school seniors. Angela Weedon Photography was listed in D Magazine’s Best of Big D in 2011.
that blend with the the vibe of the session as well, but keep them simple and meaningful. A handful of flowers that are a natural, neutral color or that coordinate with color pops in the subjects’ clothing, a vintage camera, a basket of apples, or the absolute best type of prop is something that is meaningful to the subject (grandpa’s vintage camera, their favorite stuffed animal, a quilt made by great grandma, the family’s beloved pet). But don’t let the prop be an odd distraction – make sure it “makes sense” being in the photo and blends well with the whole vision you had in mind for the shoot.