I’ve said it before and I’ll say it again, I think it’s more important to have the time in your life captured…than making sure it’s captured professionally. I want to cry when I hear that some families have never had an official family photo, and so many moms just don’t get in pictures at all with their families. I’m here to offer some advice on how you can get it done this year–promise me if it hasn’t happened for a while, that it will happen for you this year!
Frank is a creative and ambitious artist with a passion for photography. Born and raised in Czechoslovakia, he developed a love and enthusiasm of his art in his youth. In 2004 Frank became a graphic designer, at the same time he started his professional career as a wedding and fine art photographer. Several years and hundreds of wedding and portrait sessions later, he created Maui Professional Photography dedicated to providing award winning artistry combined with outstanding client service. With a traditional yet contemporary photo journalistic style, Frank will capture those fleeting magical moments of your wedding or special event and turn them into treasured memories. Frank is a member of PPA (Professional Photographers of America), Nikon Professional Services and his name appears on the list of preferred professional photographers at the finest hotels & resorts and at other photo related businesses. Frank has also continued to expand his knowledge, learning new techniques at workshops and becoming familiar with latest professional equipment. When not working, Frank can be found exploring the beauty of the islands camera in hand.
Emotional moments during the ceremony—everything from belly laughs to happy tears, both of which come out during the vows—are especially worth capturing, notes Gil. Huang says shooting poignant ceremony happenings is often both the most challenging and rewarding aspect of wedding photography: "The ceremony can be difficult because it is wildly out of the photographer's control in terms of timing, location, and lighting, but I find these moments tend to be the most real and the most sacred," she says. "It's a balance of creating beautiful images without disturbing the sanctity of the ceremony that I love."
Adding a tripod to your kit isn’t the most practical of wedding photography tips but hear me out. I’m not suggesting you go around the whole wedding using this. However, if you want to get creative later on at night with flash then a tripod is a necessity. You’ll be able to capture all manner of ambient light and even the stars in the night sky. Use a slow shutter speed and at the same time light the couple with your flash.
Before joining the team at A Practical Wedding, Maddie was a sought after wedding photographer and an entertainment industry dropout with stints at the Academy Award-winning independent film house Focus Features, The Montel Williams Show, and Rosie O’Donnell’s documentary production company. She’s been with the APW team going on eight years, and now spends a significant amount of time thinking about internet trends and the future of feminist television. A Maine native, she lives on a pony farm in the Bay Area with her husband and their toddler.
Jason -- Sorry for the late reply! For me, it's all about personality. I've had families who all wore gaudy Hawaiian shirts (you would think it would be horrid with the clashing, but it actually worked beautifully!), all in shades of (color), University sweatshirts, swimsuits and scuba gear, sports uniforms, whatever. Their personality and their own flavor should guide their clothing. As a general rule, I do ask that they don't mix wild patterns (with the one exception above) but other than that, I figure I can work it out by who's standing next to whom, if that makes sense.
Pro-level prints not enough? Germany’s WhiteWall is a photo lab that only produces gallery-quality products, and it has launched a U.S.-based facility for even more efficient service. While it is more expensive than other options, WhiteWall offers a higher level of quality. The company offers a full range of products, from standard photo paper, to canvas, to acrylic and metal prints. Because of the high quality, print costs start in the several dollar range, not cents.
This isn’t always the case, but often, full-time photographers are more likely to be reliable, responsive and fast; carry business insurance; have backup equipment in case of camera failure; and institute proper backup procedures in case of hard drive failure or memory card loss. A full-time photographer is more likely to be operating legally as a business, be technically competent and be consistently investing in professional development. A full-time photographer is more likely to understand the costs of being in business and is more likely to still be in business and able to serve as a resource for years to come.
Types of photos requested may be "first look" where the bride and groom see each other before the ceremony for first reaction photos rather than first seeing each other as the brides walks down the aisle. Another type of "first look" photo may be having the photo shot of the father of the bride seeing the bride for the first time when she is just about to walk down the aisle with him.
Whether you have a friend’s recommendation or not, I’d say to have a look on the Internet. Find the photographer you’ve been recommended and see if it’s what you’re looking for. Look for other photographers of the same style and see which one you like best, which makes your eyes shine or what emotions their photos evoque you. The more specific you are in your search, the better. Photographers who appear in Google’s search gain a point of trust as they need to have a serious job to be there. It is very important that you trust the professional, and consulting the reviews of Google or Facebook can already give you an idea of what customers think. But a talk with the photographer himself will probably give you a better idea of what to expect.
are beautiful and create interest in photos. I absolutely love using multiple textures and layers, especially important when working with a color palette a bit on the neutral or softer side (with a subtle color pop here or there). When I say textures one of the ways to achieve this is with different clothing materials and accents – tweed, crochet and embroidery details, lace, hand knit items, smocking, ribbons, ruffles, etc. Also, having different layers of clothing and accessories can add another dimension to the overall texture of the image. These details and added depth are especially important in black and white images. And it can be done beautifully with colorful brights or just pops of color here and there as well. Follow your own vision and style, also looking to what fits your subjects best.