I know many portrait & wedding photographers love to shoot wide open at f/1.2 & f/1.4. However, with newborn photography, many of the baby poses can have extreme angles and you often will have better luck with your depth of field and sharpness by shooting around f/2 & f/2.2. Remember, it will be rare that the baby’s eyes are on the same plane of focus all the time and by closing down my aperture a bit from wide open I get that little bit extra of depth of field that is often needed.
Thank you for this great blog post. Brilliant hints and tips. I also ask clients to lay their outfits out at home together to check that they all look good together. Also I remind clients to press their clothes (I think sometimes they think that I can ‘photoshop’ creases out!) I love putting together visual ‘what to wear’ guides – here is one I did this week for a mother and daughter photo session http://www.sarahoffley.com/what-to-wear/what-to-wear-mother-and-daughter-photo-shoot/
Destination wedding photographers may run into challenges not typically associated with their normal weddings, ranging from location familiarity to client familiarity. Photographers may be familiar with venues if they are shooting locally; but if they travel, everything is new. For example; a Tampa wedding photographer is used to shooting a beach wedding where the sun sets over the ocean. In Miami, the sun no longer sets over the ocean. When planning for a local wedding a photographer may often meet the couple over coffee or dinner, or handle their engagement shoot. These jump start the getting-to-know-you process and create client familiarity. Typically, a destination wedding does not afford those conveniences.
Darlene Hildebrandt is an educator who teaches aspiring amateurs and hobbyists how to improve their skills through free articles on her website Digital Photo Mentor, online photography classes, and travel tours to exotic places like Peru, Thailand, India, Cuba, Morocco, Bhutan, Vietnam and more. To help you improve and learn she has two email mini-courses. Sign up for her free beginner OR portrait photography email mini-course here. Or get both, no charge!
Don't blame her for the poor price points in the Photography industry. You can blame Digital formats and cell phone imaging. Once companies like Sony and Canon produced prosumer cameras that shoot at a professional level with full auto options they created this secondary market which hurt the professional market tremendously. I'm a published photographer with 20+ years in the film industry and I've never seen such a lack of robust pricing for professional quality imaging. The bottom line is the average consumer really isn't experienced enough to understand the difference in image quality form a porfssional digital shooter to zn amateuw using full auto unless your educated in digital photography. Best advice is to learn to post process, certify in photoshop and lightroom and learn all forms of interactive media, or you will not last. Good luck
We're getting maternity & newborn photos taken. I think the total is like $650 and we'll get all the photos on a disc. We had a disaster of our wedding photos three years ago and I always said from then on that I wouldn't pass on photos of a once in a lifetime event just because they are pricey. And I'd pay top dollar to get the best if I needed to. It still hurts my heart when I realize that we don't have a single picture of just my husband & I on our wedding day. Not one. When I thought we were taking photos together our photographer later explained she was just "testing the light & setting her settings". Who does that?!
Inconsistent exposures create more work in post processing, as you have to even them all out. It also can cause a slight color shift, increase noise (if underexposed) and other undesirable things. To keep your exposures consistent through the whole shoot, use Manual Mode. Just remember that each time you change the pose, location, etc, you need to check exposure again. I just fire off a quick test shot, review the histogram, adjust if necessary and continue.
Know someone in your area who has gotten beautiful photos taken of their own family? Reach out and ask them who they hired! Not only can you feel more secure knowing they’re recommended, but a lot of photographers offer bonuses or discounts when you’re part of a referral. And, if no one comes to mind, you could try posting a status update, asking if anyone can recommend a local photographer.
Don't underestimate the importance of liking and bonding with your photographer. Is the photographer excited by your vision when you describe it? When they make suggestions, do they present them in a clear and respectful way, or are they timid? Are their mannerisms off-putting? In order to get the best photos, go with a pro who has a firm grasp of social graces but is bold enough to go out hunting for great images and who, above all, puts you at ease and doesn't irritate you in any way. Remember: They'll be shadowing your every move, and the more comfortable both of you are with the photographer, the better the photos will turn out. Likewise, you don't want the photographer to offend or annoy any guests, but to shoot them in their best light in an unobtrusive way. To get the best photos, your photographer needs to be assertive enough to seek out great moments, cajoling enough to coax relaxed smiles and natural stances from guests, and calm enough to be a positive force. They should ask lots of questions and be a good listener.
When styling a photo session, I like to start out with a basic color palette and go from there. It can help to have one “rock star” in the photos who carries a pattern in their outfit that the rest of the group’s clothing or accessories pulls from, while keeping everyone else’s outfits more simple. You can do this with a neutral and a few colorful brights, or try a softer palette that has different tonal ranges of the same shades.