While I had visions of taking lots of ‘cute’ shots of Xavier in his first week I found that what actually happened was that the first week of his life ended up being more like a documentary shoot. The focus of my shots ended up being of a lot of ‘firsts’. First moment with Mum, first bath, first time on the scales (he was just under 9 pounds), first outfit, first manicure (he had long nails from day one), first time meeting grandparents etc. I ended up taking a picture of him with every visitor that came (these will make nice gifts) and decided to leave the ‘cute’ shots until when we got back home and he’d settled a little more.
Come to JayLynn Studios for family photography services in Salt Lake City. As one of the most established studios in the city, entire clans have trusted us to take photos to commemorate celebratory, annual, and unique occasions. We’re not just here to tell you how to stand in front of a backdrop – our photographers will make sure that the pictures will look as great in the future as they do now.
Beautiful collection! But just an idea for future reference, you may want to put foster/adoption first (in my opinion). My husband & I have had multiple miscarriages over 12 years and now starting the foster to adopt process. Looking through all the maternity pictures was hard for me personally. Although I am happy for all these other ladies, it’s still rough. Again great job!
A great way to keep your couple happy after the wedding is to send them a few preview images. They might be expecting this if you have discussed it in your contract but if they’re not it can be a great surprise. Just drop them an email telling them how much you enjoyed their wedding and give them some indication as to when the final images will be complete. This is a great way to keep them in the loop. Additionally, they might share the images on Facebook or with family and friends which can be great for referrals.
We are so delighted that you are here. The National Association of Professional Child Photographers is an association whose mission is to promote and support the artistry and integrity of professional child photographers. To accomplish this mission, NAPCP provides the most comprehensive resources for its members, bringing together a community of passionate artists committed to growth in their skills, their artistry, and their businesses.
The pre-ceremony photos, for me at least, are the easiest part of the day. This is usually the timeframe I use to grab most of my detail shots and bridal party photos. During this time, I usually send my second shooter to wherever the guys are while I shoot with the girls. Keep in mind that some of these shots may only be able to be taken during the reception if the venue isn’t open until then.
As you start looking through photographers’ portfolios, pay attention to the lighting quality in the pictures. Are they dark and moody? Bright and romantic? Each photographer has a certain style, and there will most likely be one that you mesh with better than others. You may also notice while you’re looking through portfolios that some photographers refer to themselves “natural light photographers” which just means that they only use whatever light is available, rather than using a flash or other lighting setups. If you are getting married somewhere dark without a lot of windows, you will want to make sure that the photographer knows how to create light when it isn’t there. Every lighting situation is different for photographers, so make sure you’re looking at photos that have similar characteristics to your venue. An outdoor wedding in the middle of the day with bright sun requires a very different skill than a New Year’s Eve reception in a dark church. (Also, a hot tip: ask to see some reception shots, since many of us don’t include those in our portfolios. Because if you are having an art gallery reception with no light, you want to make sure we can handle it. If all the reception photos are a little blurry and have been converted to black and white, then low-light situations are probably not that photographer’s forte. If you see lots of backlighting and what appears to be bursts of light behind the dancing, it means that that photographer has the ability to create standalone lighting in situations where the light is nonexistent.)
This is more of a personal choice, but I tend to choose clothing that is timeless, perhaps a little vintage in style. Whatever your style is, make sure your choices won’t look terribly dated years from now (or months in the case of some quickly passing trends). I personally love to use softer or neutral tones (with a color pop here and there) and classic shapes, then add interest with accessories, layers and lots of interesting textures. I also happen to love bright and colorful as long as it’s not obnoxious or distracting from the subject’s personality and face. Of course, this is a personal choice and many families will choose to go all out in the latest trends, thinking of their clothing choices as a sort of time stamp in their images.