Ever notice your child in his own world looking at a handful of wiggling worms, blowing his breath against a cold window or watching the dew drops fall off morning leaves? These are the moments that photography was made for. Seize these fleeting moments in time by zooming in close to find that special angle that tells the story from your child’s unique perspective.
For more than 15 years, Teresa Berg Photography has specialized in newborn and children photography. The photography studio, based in Addison, creates modern and emotional portraits, including maternity photos, senior photos, family photos, and pet photos. The company also shoots business portraits for portfolios and resumes. Teresa Berg has more than 20 years of photography experience.
5. Consider some technical details. There are photos I took 5 years ago that I thought were amazing at the time and now realize they were out of focus, or my editing made the people look purple, or the highlights were blown out. If you (like a normal person) haven’t spent a lot of time poring over tons of professional photos with a discerning eye, you may not really know what to look for. Maybe some of these finer technical points wouldn’t bother you, or maybe the photographer you can afford isn’t quite as technically proficient as the photographer who charges $500 more. That’s okay, these are just a few things to consider. First let’s talk about focus. Often, the best way to tell if a photo is properly focused is to look at the eyes. In the two photos below, you can see a lot more detail in her eyes on the left than on the right. I missed the focus on the second image, so that one was not given to my clients.
Once you’ve taken 10-15 shots of the scene, figure out how you can change the setting without disturbing the baby. This picture below is from the same pose as the first photo in this post, but it looks very different. I unclamped the blanket the baby is laying on from the backdrop board, letting it fall behind her. Then I clamped pretty pink fabric to the backdrop board. Finally, I pull the edge of the blanket the baby is lying on up over her back to make it look like she’s tucked in bed. While I was making these changes the baby was snoozing away, staying perfectly posed. I got two very different looking sets of photos from one pose. This is a great way to maximize the baby pictures you get from your DIY photoshoot.
The #1 way to ensure a successful newborn session is to make sure your client knows what to expect and how to best prepare for the session. I send my prep tips a few days before our session to get mommy and daddy prepared. In fact, in our newborn workshop includes the email templates that I send & has a full chapter dedicated to adequate preparation before the session. Many moms choose to feed while I unpack and setup. I have them feed the baby in only a diaper and a loose swaddle blanket so we don’t have to bother the baby with undressing them. I also let them know what I’ll be bringing, the approximate length of the session, to expect messes and frequent feedings, and to warm the house, even though I will be bringing a heater.
Don’t be afraid to pick up your children and toss them in the air. Give your wife a sweet kiss on the check. Tell your husband how much you love him and appreciate him for being there for your family. Have fun. Laugh. Giggle. Joke. Embrace. Kiss. Snuggle. Play. Doing these things will allow the photographer to capture the emotion and true beauty of your family. Leave the stiff “cheese” faces for Aunt Marge at the next family reunion. Show your photographer who you really are, so that she has the opportunity to capture your love through her lens.
I know many portrait & wedding photographers love to shoot wide open at f/1.2 & f/1.4. However, with newborn photography, many of the baby poses can have extreme angles and you often will have better luck with your depth of field and sharpness by shooting around f/2 & f/2.2. Remember, it will be rare that the baby’s eyes are on the same plane of focus all the time and by closing down my aperture a bit from wide open I get that little bit extra of depth of field that is often needed.
*Keep Lighting Soft*Direct flash almost never works—it often fights the sense of intimacy, warmth, and naturalness that characterize the best family portraits. “I avoid direct flash like the plague,” says Sue Barr. “It will flatten an image and drain it of all spontaneity.”To work without flash, you’ll want the fastest lens you can afford. This allows you to shoot in low light, defocus (and thereby declutter) backgrounds, and use fast, kid-freezing shutter speeds.Another lighting tip: avoid direct sun. “I like shooting on cloudy days,” says Barr, “and I use gold or silver reflectors to add spark.” The latter helps lighten the shadows of wrinkles, making it helpful with older family members. Family portraiture is rewarding because it gives you the chance to celebrate something that’s life affirming and positive. As amateur photographer Jeremy Rule (www.fiickr.com/ photos/JeremyRule) of North Bend, WA—whose portrait of an extended family above —says, “Family portraits rarely focus on disease, divorce, fighting, business, addiction, or a recession. When you hand a family a portrait, you’re giving them something to celebrate, bond, and rally around.”Jeremy Rule
This is more of a personal choice, but I tend to choose clothing that is timeless, perhaps a little vintage in style. Whatever your style is, make sure your choices won’t look terribly dated years from now (or months in the case of some quickly passing trends). I personally love to use softer or neutral tones (with a color pop here and there) and classic shapes, then add interest with accessories, layers and lots of interesting textures. I also happen to love bright and colorful as long as it’s not obnoxious or distracting from the subject’s personality and face. Of course, this is a personal choice and many families will choose to go all out in the latest trends, thinking of their clothing choices as a sort of time stamp in their images.