Love the way you make this tutorial so easy to follow and understand every step of the way. Eager to start taking precious photos of my active three great grandkids, 3-4- and 10. Wished I knew like you how to take The Great Photos when they were each born. A friend will be having her baby soon, maybe I will get the second chance again Keep up the good work your doing here Autumn, looking forward to learning more, even at my age. Being a Grandma and having a camera are two of my favorite things in Life !
Let the photographer connect with the baby. In order for your baby to feel comfortable, you should avoid crowding your little one. It’ll be tempting to run over whenever your baby becomes restless or cries, but you should do your best to let the photographer comfort the baby so the baby doesn’t feel startled by too many changes. Always remain in the room though during your baby’s shoot.
Kids are naturally photogenic. Instead of bending over backwards to create posed photos that look natural, try capturing the essence of special moments in your daily life. Take photos of your kids swinging from the monkey bars, splashing along the shoreline or tromping down the side of a large hill. Thanks to digital photography, you don’t have to worry about wasting film. You can take as many shots as you like until you find the ones that have the fresh, yet timeless feel you are looking for.
Intern with a professional photographer. If you are an amateur photographer or you’re just starting out, you should intern or apprentice with a professional photographer to get a sense for how a photography business should be run. It’s likely that you won’t agree with the way your mentor does everything in her business, but it will give you a good idea of the “big picture” of running a photography business.

Just as important as getting some light in the eyes is having it come from a good direction. We’ve established overhead isn’t good direction, neither is straight from camera. So turning on your built-in pop flash isn’t going to give you good light. Neither is sticking a speedlight on top. Light direct from the camera angle flattens the subject, that is not what you want. You want the light to come from the side more, 30-45 degrees from camera is a good starting point. To learn more about this read my article on the 6 Lighting Patterns Every Photographer Should Know.
When styling a photo session, I like to start out with a basic color palette and go from there. It can help to have one “rock star” in the photos who carries a pattern in their outfit that the rest of the group’s clothing or accessories pulls from, while keeping everyone else’s outfits more simple. You can do this with a neutral and a few colorful brights, or try a softer palette that has different tonal ranges of the same shades.
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