6. A spotter. Anytime you are photographing a baby, you really need another person as a spotter. The other person’s only job is to make sure the baby doesn’t roll off the cushions onto the floor. If you are photographing a newborn it’s extremely unlikely they’ll be strong enough to roll anywhere, especially once they are nestled inside the boppy pillow or bean bag, but you can never be too safe. So make sure your “assistant” sits on the floor within arms length of the baby.
Autumn Reynolds Photography is a portrait photographer Lewisville, specializing in naturally lit photographs that evoke simplicity and timelessness. Owner Autumn Reynolds offers services ranging from newborn and birth to maternity sessions, and is also well-versed in family, children, and seniors photography. She has a Bachelor of Arts degree from the University of North Texas and is a member of the Professional Photographers of America.
In order to capture your newborn in adorable curly poses, you should take newborn photos five to twelve days after giving birth. If you want your baby’s sleepy and curly newborn demeanor to be photographed, try not to wait any longer than two weeks for the newborn session. When it comes to setting a date, you should reach out to your photographer before giving birth to avoid any added stress in clearing your calendar. Typically it’s a good idea to schedule the session to take place a week after your expected due date. The date may change seeing as how baby will arrive when baby wants. However, you should do your best to give your photographer a tentative date since classic newborn photos of your baby curled up, like they’re in the womb, have a short window of time to be taken. If you’re working with a popular photographer, book your session 2-3 months in advance of your due date.
As the busy fall season for family photography approaches, I’ve decided to do a series of blog posts on things you may want consider when choosing a family photographer! If you’re looking at hiring a photographer for the first time, I’m sure the options can be daunting. How does this all work? Why does it cost so much? How do you know you can trust them to do a good job? Whether you’re reading this here in Fort Collins or far away in another state, I want to share some thoughts that might be helpful as you make this decision. This isn’t meant to be a black and white list of dos and don’ts, just some food for thought! I want to start by talking a bit about some things that I think are important to look for when you’re checking out potential photographers’ websites.
A photographer who’s charging for their work should consistently create excellent photos that are similar to each other in style. Most photographers either have a website or a Facebook page, so take some time to browse their portfolio. Ideally, their portfolio will include lots of different families, in different settings, to show that the quality of their work is consistent.
If a client chose you as their wedding photographer, they put tremendous trust in your artistic vision and abilities to deliver work which they will enjoy for many years to come. If engagement sessions are something that you do not currently offer, I suggest you to look into offering them soon. Educating your client on the importance of an engagement session might prove crucial for your business and your relationship with clients. It is also a great opportunity for you to show your client what you can do without being in a time crunch.
I volunteered my time at an event called Help Portrait last year that has photographers, make up artists and organizers giving their time to create portraits for people that otherwise couldn’t afford a professional one. They ended up sending most of the families to me, initially because I had the biggest area to do the group photo and later because the other photographers said I was the best with the kids. To see some of my photos from that event go to Help Portrait, Edmonton 2012.
Hi Linda! Perfect, so glad you love the article I hope you signed up for our mailing list to get your newborn toolkit and other freebies to help get you going quickly and lastly, you are among the first to know that we are working on finishing up our complete Newborn Photography Workshop Course which will be out at the end of the year…it will be an amazing product though which we are so excited for!
@Darlene You have developed a portrait style that works well for you and your clients. If you check out my website, you'll see that we're not all that different... only a matter of degree of "closeness". More power to you if your clients buy 20x30 prints or larger. Mine do not, so having their faces a little more prominent in the frame is important.
Communication and planning are key. Discuss in detail what is going to happen on the day, what the clients will be wearing, and what you’re going to be bringing. Coordinate their outfits with your props, or, say, the baby’s booties with their decor. You have to think of it all. Best of all, if you hit it off with the family, you’ll get that referral and your client base will grow. Speaking of which…
[…] One more step to shoot inside, is to really zoom in on your subject. You can get up nice and close physically to your subject or you can put on a lens that allows you to get close without getting in their personal space. By getting close, you eliminate any distractions that might be around the house. Get closer than you normally would – focus on the eyes, or just the face, or little hands and feet. Get all of those little details up close. […]
Imagine there is a line drawn from each face to the next. Try and position them so that no head is directly on top of, or beside (same level) another. Make diagonal lines not totem poles. Use props to seat some people or bring some small folding stools. Have some people sit down, or stand up on something. Use what is naturally in the environment to pose them, or if you have nothing available just arrange them so the heights are staggered.
Consider shooting a fake wedding couple in order to practice posing techniques or just to build up some portfolio images. It can be hard to get your feet on the ladder at the start and you need images in order to attract clients. Shooting couples who are friends is a great way to build confidence and experiment with new techniques without the pressures that come with a wedding.
Look at an engagement session as a practicing ground for the upcoming wedding. While meeting your clients for a consultation can give you loads of information about them, working with them directly before the wedding and learning their preferences might be very helpful for you while photographing the actual wedding. At the same time, engagement sessions give a great opportunity to your clients to understand how you work behind the camera, and give a chance to practice for their upcoming wedding as your subjects.
For these photos, I did not add contrast, vibrance or saturation! The lighting was perfect and made our outfits pop. I prefer not to over edit photos, but I do love to tweak them a bit. Believe me, I earned every wrinkle I have and I do not plan to edit those out! But I will fix cool lighting if I need to. These Lightroom Presets are another fun way to edit photos if you want a quick solution!
You may have already done a shoot with the couple just after the Ceremony and safely have some awesome shots. However, there is something special about the light just as the sun is setting and you should definitely exploit it. Learning to use the light at sunset will once again come with experience. Do you want to shoot with the sun on the couple? Or do you want to shoot backlit? Both methods can yield stunning mantelpiece worthy photos.
Don’t just shoot what’s always been shot. This is a good general rule of photography. I really try to be “consistently inconsistent” (I recently heard another photographer, Nate Kaiser of theimageisfound.com, use this term and I had to pirate it). Let me explain, you’ve got to approach each shoot as it’s own. I’m very committed as a photographer to tailoring each shoot for the subject I’m photographing. Like I said before, this is a good general rule that applies particularly to maternity photography. Even though millions and millions of mothers have given birth to millions and millions of babies for millions and millions of years, a momma-to-be needs to feel like her pregnancy is miraculous, special and sacred, that the things she’s experiencing are unique only to her. Because they are.
Light can make or break any photograph, portraits are no different. The very derivative of the word photography is “drawing with light”. The biggest thing you want to make sure you do for portraits is get light into your subjects’ eyes. There are many ways to do that and that’s a whole huge topic but there are a few things you can do to set yourself up to start off with good light.
2.) Plan for poo. If you are on a normal newborn shoot poo (and pee) it’s going to happen there is no doubt. How you set up is going to make all the difference. If you are using a posing beanbag you need to set up 4-5 sets at one time and layer hospital pads between. That way when baby kills one you literally just say next flip over to the next set and keep truckin.
That’s it! No expectations other than fun. Then prepare yourself. Bring along props, get mom to bring one of their favourite toys or books. I usually have a hand puppet and bubbles in my camera bag along with my gear. If the kids don’t want to sit and smile don’t force them. Then them run around and be kids for a while and shoot that. Play with them, make it fun. Then they may cooperate and sit for a bit a few minutes later.
What are you willing to invest in getting the images that will bring you (and your kids) back to this moment? Are you willing to save up for the perfect experience? Are you willing to make payments? Or do you have other things that you have to prioritize and you’ll have to make compromises in one place or another? Of course we all have to manage a budget, and this may be a place where you make it a priority, or a place you are ok with making a compromise.
Full Frame sensor – When we started shooting full frame with the original 5D we saw a huge leap in the quality of our photography. Images just looked crisper, the depth of field was shallower, and the shooting experience (looking through the larger viewfinder) was much better. Check out this article for a look at different sensor sizes and how it affects the image
There are a few bonuses to using accessories well (as well as layers). One is that changing them up a bit throughout the session can give you multiple looks without having to do many wardrobe changes. They can also be something that the subjects can interact with. A sassy little tip of the hat, holding the ends of a scarf while running and letting it billow behind you, grabbing the lapels of a husbands jacket while pulling him close for a kiss – all these little gestures and ways to interact (and become more comfortable in front of the camera) can be made possible with styling choices. Many of my sessions will feature items used outside their intended use or subject. My girls are often seen in mommy’s hats or scarves (scarves can be used in different ways like wrapped around their shoulders, as a hair piece, etc) and they love to wear my costume jewelry.