Once you know the preferences of your clients, setting a rough timeline will help you determine what to do next. Some of my clients want colorful autumn foliage as a background and we wait for that perfect season to capture what they want. Advise your clients to choose the season wisely and know what to expect as the weather changes. As the season gets closer, check the weather forecast to determine the exact date of the shoot. Make sure that chances of precipitation are not very high and that you have an exact location to go to.
If your wedding is large, you might request — or your photographer may recommend — a photographer's assistant or additional photographer. If your guest list is very long, you'll want more than one camera to document those magic moments and important guests. Even for small weddings, a photographer's assistant may be needed to handle extra equipment, set up lighting, and ensure your photographer is primed to take those perfect shots. If your wedding takes place at sunset or you have requested a certain aesthetic, such as an editorial style, a wedding photographer may also need an assistant to ensure styling and proper lighting. Adding a second photographer may increase the cost based on an hourly rate, while the photographer's assistant is typically paid at an hourly rate that is lower than that of the principal photographer. In general, extra hands on deck mean a higher cost.
"AMAZING! Stop looking and just book with him. Garrett is very professional and genuinely cares about his clients. He has amazing prices and really is willing to work with you. I was hesitant about hiring a professional photographer but I am so glad I did because the photos look amazing. If I ever need a photographer I will definitely be hiring him again."
Just as important as getting some light in the eyes is having it come from a good direction. We’ve established overhead isn’t good direction, neither is straight from camera. So turning on your built-in pop flash isn’t going to give you good light. Neither is sticking a speedlight on top. Light direct from the camera angle flattens the subject, that is not what you want. You want the light to come from the side more, 30-45 degrees from camera is a good starting point. To learn more about this read my article on the 6 Lighting Patterns Every Photographer Should Know.
8. Experiment with settings. We’re used to seeing photos of babies in cribs, in beds, the bath, etc. But how about asleep on dad’s chest, nestled inside of a box, or positioned atop a decorative rug? Unexpected settings can add visual interest to your shots. Of course, you want to be extra careful with creative settings too! Most of the amazing pro photos have a spotter’s hand in the shot to keep baby safe, and then is later photoshopped out of the photo. Don’t ever pose baby in a precarious position and then step back to take a photo.
…and think outside the box. Scarves, hats, flowers in the hair for girls, jewelry, sweaters, vests, jackets, etc. – all these things can take a ho-hum image and make it feel “complete.” Don’t let the accessories overwhelm the subject or the photos though. I believe that especially with sweet babies and toddlers that they don’t need much in the way of “accessories.” Little kiddos are beautiful in their simple purity, and I want them to be the star of the show instead of making one’s eye go straight to a giant headband as big as their head as they sit awkwardly in a big bucket. I want the viewer to notice my subject and their personality first. The accessories and clothing should just complement them – not be center stage. Choose your accent colors and fill in outfits with those punches of color in accessories. For instance, if big sister’s patterned dress has tones of aqua, coral and gray, have mom wear a coral headband and little brother in an aqua pair of Converse and bow tie. Show off the kids’ and your unique personality with accessories!