Ask the bride and groom for just three words to describe their vision of the day, then keep those words in mind as you capture it! If they say “fun”, take every opportunity to “document” a fun moment. If they say “romantic”, keep lighting in mind and snap every sweet moment the newlyweds share that day/night. Yes, you are the photographer, but it is THEIR day. Make your art reflect that! (Thanks Matthew Michaels)
Candice Cusic is a Chicago based wedding and family photographer. She believes that the best images are moment-driven and that you don’t need a hundred photographs of the couple smiling for the camera. In a recent audio interview with Nine Dots she was giving her wedding photography tips and had this to say when asked ‘do you believe there is enough work for everyone?’ She says –
Light can make or break any photograph, portraits are no different. The very derivative of the word photography is “drawing with light”. The biggest thing you want to make sure you do for portraits is get light into your subjects’ eyes. There are many ways to do that and that’s a whole huge topic but there are a few things you can do to set yourself up to start off with good light.
Ahead, you'll discover a set of images that photographers strongly suggest you take. As for the specific photos that you shouldn't stress about capturing? Don't fret over detail shots, like bar signage, cocktail tables, or favors, says Jen Huang: "They're not necessarily important for the story of the day and the story of the couple. I am always up for taking beautiful detail shots, but I think couples should worry less about these." As for shots to completely avoid? Virtually all of our photographers agree that reception table-to-table shots should be skipped. "It's time consuming for the couple, disruptive to your guests and dinner service, and takes away from documenting genuine moments," adds Heather Waraksa.
that blend with the the vibe of the session as well, but keep them simple and meaningful. A handful of flowers that are a natural, neutral color or that coordinate with color pops in the subjects’ clothing, a vintage camera, a basket of apples, or the absolute best type of prop is something that is meaningful to the subject (grandpa’s vintage camera, their favorite stuffed animal, a quilt made by great grandma, the family’s beloved pet). But don’t let the prop be an odd distraction – make sure it “makes sense” being in the photo and blends well with the whole vision you had in mind for the shoot.