Krista is natural light portrait, senior, and wedding photographer in Northwest Arkansas. A lover of golden fields, buttery backlight, and authentic emotion, she strives to transform the mundane into the magical by showcasing amazing light and interaction in her photography. She is a devoted wife and mother of a spirited daughter, who also serves as her muse. Krista loves spicy Mexican food, reality TV, the ocean, and connecting with nature. She is the author of Transforming the Mundane Into Magical.
The light meter in your camera is a fool. Actually, they are pretty damn clever but they get tricked by large areas of white and black. For example, the camera will compensate for a large area of the photo being white (the wedding dress). You set your exposure bang in the middle of the light meter and the photo is really dark. That’s because the white dress is tricking your camera. Dialling, in a bit of positive exposure compensation here, can sort this problem out. But don’t go too far and blow the highlights as they are harder to recover in post-production than shadows. What we like to do is just check on the LCD screen and keep monitoring it to achieve an accurate exposure.
Assuming that you are setting something up, choosing the time of day and the location carefully, you have control of all the elements. Meaning, once you get set up the exposure should not need to change. But if you put it in Aperture or Shutter priority, depending in the metering mode selected, the camera could choose a slightly different exposure for each frame. You do NOT want that! Consistency is very important.
“From the moment I reached out to book newborn photos with her she was responsive, friendly and professional. During the session she was absolutely magic getting all of us, especially the toddler, to pose, laugh, and enjoy ourselves. She made it so easy. The final photos were incredible. We have done other professional photos before and I can say Kate was the best experience we’ve had.”
Equally important to whether we eat is when we eat. The best time for us to take a few minutes to get a few calories down is when you (the bride+groom) are eating. Why? Because that is normally the only time of day that people don’t really want photos (pictures of people eating are probably the least flattering photos we could possibly take) and when no other events are happening. If we have to wait until after the guests are all served, you will be done eating and ready for toasts, dances, mingling, and other things that make for great photos! So, if possible, let your caterer/coordinator know that we will need to eat at the same time as you and schedule that into your wedding day photography timeline in order to make sure we don’t miss anything.
Wedding package one: $1,000: Includes up to 4 hours of coverage on the wedding day, with most formal photos taken before ceremony, car service (black Mercedes) as needed from ceremony site to the reception, photos of reception highlights (until time runs out), and high-resolution images via digital download. Add-on options: Second (junior) photographer for $200, additional hour of coverage $100 per hour, engagement photo session (one hour and 10 edited pictures) for $200.
#1 – it automatically forces you to slow down. That’s a good thing. You can check your settings, review the composition, and exposure to make sure you’ve got everything right. All to often it’s easy to get carried away once you put the camera up to your eye and forget to check something only to see later you had the wrong White Balance, or ISO was 6400, or you accidentally shot Small JPG. Slow down, avoid an “oops”.
DO pre-plan. "Don't walk into a wedding thinking you can go with the flow. Weddings aren't like street photography, where you can walk around taking pictures," says wedding pro Jonathan Scott, who has studios in both New York and Florida. "Pre-planning will make sure you don't miss important shots." Scout the location in advance for good backgrounds and lighting. Do Internet searches for the venue to see how other photographers capture the location.
There are a few bonuses to using accessories well (as well as layers). One is that changing them up a bit throughout the session can give you multiple looks without having to do many wardrobe changes. They can also be something that the subjects can interact with. A sassy little tip of the hat, holding the ends of a scarf while running and letting it billow behind you, grabbing the lapels of a husbands jacket while pulling him close for a kiss – all these little gestures and ways to interact (and become more comfortable in front of the camera) can be made possible with styling choices. Many of my sessions will feature items used outside their intended use or subject. My girls are often seen in mommy’s hats or scarves (scarves can be used in different ways like wrapped around their shoulders, as a hair piece, etc) and they love to wear my costume jewelry.