While I had visions of taking lots of ‘cute’ shots of Xavier in his first week I found that what actually happened was that the first week of his life ended up being more like a documentary shoot. The focus of my shots ended up being of a lot of ‘firsts’. First moment with Mum, first bath, first time on the scales (he was just under 9 pounds), first outfit, first manicure (he had long nails from day one), first time meeting grandparents etc. I ended up taking a picture of him with every visitor that came (these will make nice gifts) and decided to leave the ‘cute’ shots until when we got back home and he’d settled a little more.
[…] One more step to shoot inside, is to really zoom in on your subject. You can get up nice and close physically to your subject or you can put on a lens that allows you to get close without getting in their personal space. By getting close, you eliminate any distractions that might be around the house. Get closer than you normally would – focus on the eyes, or just the face, or little hands and feet. Get all of those little details up close. […]
Our portrait studios have multiple camera rooms featuring professional lighting systems, along with the latest trends in scenic and full-color backgrounds. Our trained photographers use professional hand-held digital cameras, allowing them to move and interact with you to capture candid expressions.  Once your session is complete, you'll sit down with your photographer to select your favorite images, add special effects and even order custom photo gifts and keepsakes using your portraits.  All of your portraits are printed on-site, using a cutting-edge digital printing system that produces breathtaking, high-resolution images printed on the finest archival-quality, portrait paper guaranteed to last a lifetime.
These close-up “detail” shots are not only adorable but they are great accompanying images for albums and accordion books.  Because of the sensitive focus on a macro lens, the best time to get these images is when the baby is very still (in their deepest sleep).  As shown with the newborn workshop where you get to shadow me on an actual on-location shoot, when I notice the baby is deep in dreamland, I’ll just stop whatever I’m doing and I’ll pull out my macro for 10 minutes and get all the shots that I need.
3. Pay attention to where your light is coming from. If you’re using the same setup you used to take photos of the baby alone, your subjects should already be positioned correctly in relation to your light source (large window). They should be facing either the right or left edge of the window (which is where you’ll be standing). Light coming at a 45 degree angle casts nice, soft shadows that define both baby and Mom’s features, while also providing nice catchlights (bright spots) in their eyes.
I am crazy passionate about my career and love to evolve my photography and continually learn. I’m obsessed with beautiful, dreamy light and have been known to chase it, lol! I am also very passionate about this age group of girls (and guys) and I feel pretty lucky that I get to focus on you and get to know you. They way I look at it….I have a small window of time and opportunity in your life, and I have the ability to bring out the best, real you, and photograph that. I say “I photograph confidence” It is SO fun to guide you through this process, the styling tips, make up and hair, molding you in to flattering poses for your body, then showing you on the back of the camera how it’s going…..ahhh I LOVE it! In that small window of time, if I could have some influence in your confidence and seeing yourself in a wonderful way, well that’s just awesome!
Once you have the baby posed, step back and look at the whole picture for a few minutes, checking for details that need fixing. If her hand is visible, make sure you can see all her fingers are visible – sometimes one or two get tucked into a fist and then if the photo it looks like the baby only has three fingers. Also, be sure baby’s eyes are closed completely – in the second photo above the baby’s eyes are not quite closed. A simple stroke down the bridge of her nose will cause her to close her eyes all the way. Make sure the headband is positioned how you’d like, and the background blanket is free of wrinkles, etc. Above all, make sure the baby looks comfortable and peaceful – if not, try again.
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Some photographers work only on location; others work only in studio with backdrops. Think about the setting you prefer, as well as your timing constraints. Do you have extended family visiting for a limited time who will be part of your portrait session? If so, even if you prefer outdoor photography, you may still need a photographer who also has a studio so that you have a rain plan.
6. Gather needed equipment and supplies. If photography is your hobby, you may already have much of the equipment you need; however, you’ll have to assess if the quality is high enough to charge for services. Along with a camera, you’ll also need lenses, flashes, batteries, photo editing software, quality photo paper and packaging used to deliver the photos to clients. You may also need lights and screens to control lighting.
When it comes to tracking down all those amazingly candid guest photos, these apps and programs can only go so far. "The biggest thing is to include instructions early and remind guests," says Katelyn Wollet of Katelyn Wollet Photography. Whether those reminders are in the invitations, on your wedding website, or at the reception itself in some form, it's up to you as a couple to spread the word about taking and sharing footage.
See #1 first of all. Then look at #6. Being a photographer means that sometimes you have to also become a comedian, or a clown. Knowing the right thing to say or do to make people smile is mostly experience. Sometimes you’ll get tough adults too. The dad in the photo above by the brick wall pretty much has the same expression all the time. I’ve known this family and photographed them for 13 years, they’re friends too. So I know I can bug him a little bit or get out the ducky to have some fun at his expense.
The other option for remotes is a physical radio transmitter that you plug into your camera (the receiver plugs into the camera, and you hold the remote transmitter). After trying several different wireless remotes from eBay that all broke, I finally purchased the Vello ShutterBoss. This remote is well built, and has been super reliable. One of the things I really like about it is that the cable that plugs from the wireless receiver into your camera can be swapped out depending on what brand of camera you’re using. So you don’t need to buy a new wireless remote for every different camera system you have (just the cable). Also if the battery dies in the receiver, you can plug the cable directly into the remote transmitter. The Vello ShutterBoss is a bit on the pricey side for a remote ($99), but it will probably be the last wireless remote you ever need to buy.
Choosing the right software for importing and managing your files is several stories on its own. There are tons of choices--free, cheap, or expensive, with variations in how many features they offer from the ultrabasic to the nuclear option. Though basic downloading and drag and drop are available within the operating system, a utility that lets you batch rename is a helpful complement (I use FastStone Photo Resizer for batch renaming). If you use some sort of cloud-based syncing, such as iCloud Photo Stream or the Eye-Fi system, to automatically distribute your photos from the device to a home hard drive or an online sharing service, definitely make it a habit to rename and move the photos on a regular basis. Services like that tend to organize everything by date, either by default or as the only option. That makes sense, because the date is the only piece of information that software can guarantee it will find.
My husband and I were just talking about how we haven’t done a family portrait since our youngest child was born; that was five years ago! I like your tip about how a good family photographer will know how to help cheer up the crabby child. We may need to look into getting this done soon. I’ve always enjoyed looking at people’s family pictures hanging on their walls.
When shooting in wide open locations and it involves kiddos, I love to have some movement and flow in their clothing and accessories. Little ones are fond of jumping, dancing, and being wild. Nothing better than a twirly, whirly dress to accentuate all that beautiful movement and childhood innocence. Something as simple as a scarf trailing behind or a playful super hero cape can be fun for the boys.
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