Depending on the feasibility it can be an idea to check out the location ahead of the wedding. However, things change so it can sometimes be best to play this by ear. You could scout the location on the morning of the wedding. Equally, you can wander around the venue when the couple are eating their food. Having an idea of where you are going to take the couple for their photos can drastically improve the end result. This is definitely one of our top tips for beginners.
Another reason to hold a newborn photo shoot soon after birth is because babies change so quickly the first few months, and you don’t want to miss the chance to photograph that uber tiny newborn look. Does this mean you can’t get good pictures when your baby is three weeks old instead of seven days? Of course not. But earlier can be simpler, which is always a good thing.
Let the photographer connect with the baby. In order for your baby to feel comfortable, you should avoid crowding your little one. It’ll be tempting to run over whenever your baby becomes restless or cries, but you should do your best to let the photographer comfort the baby so the baby doesn’t feel startled by too many changes. Always remain in the room though during your baby’s shoot.
Katie Lamb Photography is a photography studio based in Fort Worth, Texas. All sessions are conducted within the areas of Southlake, Keller, or Grapevine; travel outside of these areas is limited and depends on availability. This studio specializes in family, couple, mommy + me, and boudoir photography. Katie Lamb Photography also creates custom films that are 1.5 to 2 minutes in length.
We’ve always had photos taken when the kids were newborns, but this is the first time we’ve taken them where I knew they wouldn’t be missing someone - the first time our family has been whole & complete and it’s seriously the BEST feeling! I’m SO happy with how they turned out - I love that each of the kids is captured so well through these and I will seriously treasure them FOREVER. Now, can I please just have the largest canvas available in every single one? #shameless
MOST AMAZING PHOTOGRAPHER YOU COULD EVER HIRE. I WAS LUCKY ENOUGH TO MEET JESSICA WHEN I WAS PREGNANT WITH MY TWINS SEVERAL YEARS AGO. DURING THE LAST 4 YEARS SHE HAS PHOTOGRAPHED MY GIRLS ON MANY OCCASIONS AND WE EVEN GOT TO HAVE HER IN THE OR CAPTURING ONCE IN A LIFETIME PHOTOS OF OUR NEW BABIES BIRTH. SHE TAKES SO MUCH TIME, PASSION, DEDICATION, LOVE AND SO MUCH MORE INTO EVERY PHOTO SHE CAPTURES. HIRING HER WOULD BE THE BEST MEMORIES YOU COULD GIVE YOUR FAMILY!
If a client chose you as their wedding photographer, they put tremendous trust in your artistic vision and abilities to deliver work which they will enjoy for many years to come. If engagement sessions are something that you do not currently offer, I suggest you to look into offering them soon. Educating your client on the importance of an engagement session might prove crucial for your business and your relationship with clients. It is also a great opportunity for you to show your client what you can do without being in a time crunch.
One of my biggest mistakes, when I was starting out, was that I brought all my props/wraps/blankets/headbands to every single session. When I got set up, I would have a mini panic attack because I had no idea where I should start. Now I plan 3-4 different setups (based on the client’s preferences and expectations) and that’s all. I am often inspired by something the client owns as well, such as a blanket knitted by Grandma or something else that’s special to mom and dad, so it is not uncommon for me to not even use everything I bring.
Build a complete portfolio. In order to get hired by someone who isn't a close family member or friend, you will need to have a portfolio to show. Use photographs from multiple shoots with different subjects to highlight the range of your talents. Make sure that your portfolio is comprised of more than just five or ten photos. People will want to see the great work you've done.
Just as important as getting some light in the eyes is having it come from a good direction. We’ve established overhead isn’t good direction, neither is straight from camera. So turning on your built-in pop flash isn’t going to give you good light. Neither is sticking a speedlight on top. Light direct from the camera angle flattens the subject, that is not what you want. You want the light to come from the side more, 30-45 degrees from camera is a good starting point. To learn more about this read my article on the 6 Lighting Patterns Every Photographer Should Know.
The #1 way to ensure a successful newborn session is to make sure your client knows what to expect and how to best prepare for the session. I send my prep tips a few days before our session to get mommy and daddy prepared. In fact, in our newborn workshop includes the email templates that I send & has a full chapter dedicated to adequate preparation before the session. Many moms choose to feed while I unpack and setup. I have them feed the baby in only a diaper and a loose swaddle blanket so we don’t have to bother the baby with undressing them. I also let them know what I’ll be bringing, the approximate length of the session, to expect messes and frequent feedings, and to warm the house, even though I will be bringing a heater.
“My husband was hesitant of the cost at first, but at our session I remember thinking, ‘yep, she’s worth it.’ Kate brought her A-game and we were both significantly impressed with Kate’s patience, positivity and consistent high energy with the kids. We had never experienced this before and realized THIS is why Kate’s the best. No fake smiles, no fake laughs. There’s a reason the best photographers come at a price.”
Loni Smith is a maternity, newborn and child photographer whose work is based in Utah, USA to cover different areas such as Riverton, Sandy, Salt Lake, Draper, South Jordan in addition to other surrounding areas. Loni believes that she is given a great chance to capture the happiest moments in life and this is why she does her best to create amazing photographs that immortalize the most precious and shortest moments in life for the parents and the coming generations.
It’s amazing post! Clear a lot of my question. I always like to do a photos but just couple month ago I found myself in babies photography. I am just learning but I really enjoy it like never before anything. And I really want to create my carer towards baby and kids photography. I am only concern that I don’t have any qualification, curses or higher degree and that can put people out from me…
[…] One more step to shoot inside, is to really zoom in on your subject. You can get up nice and close physically to your subject or you can put on a lens that allows you to get close without getting in their personal space. By getting close, you eliminate any distractions that might be around the house. Get closer than you normally would – focus on the eyes, or just the face, or little hands and feet. Get all of those little details up close. […]
Nursed Shots – some of the bests shots I’ve taken over the last month have been taken when people have been nursing Xavier. This puts him into a more upright position which makes him look a little more ‘human-like’ and opens up the angles for your photos. Try a number of positions (over the shoulder, sitting him up, laying him back in arms, lying him on his tummy etc) as each one opens up different possibilities. Also remember that your baby is not the only potential subject – parents, grandparents, siblings, friends etc all can add context to the shot and you’ll appreciate having more than just baby by themselves shots later!
We asked a dozen successful amateur and pro portraitists for tips on better family photos. Our interviews turned up a surprising number of common strategies for succeeding with this classic subject. Here’s how they suggest you capture your family’s personality in pictures. *Keep It Real*Small reminders of daily life are more precious than posed images. The family pictures that will mean the most to you (and others) will be the most candid. Try to capture family members interacting with each other and the world around them. Keep from directing or posing people—it may vex your subjects and reduce your chances for good photos. (Above Photo) Pro Sue Barr chose a Coney Island location for this family portrait. It lent color to the background and coaxed lively expressions from the kids.Sue Barr
that blend with the the vibe of the session as well, but keep them simple and meaningful. A handful of flowers that are a natural, neutral color or that coordinate with color pops in the subjects’ clothing, a vintage camera, a basket of apples, or the absolute best type of prop is something that is meaningful to the subject (grandpa’s vintage camera, their favorite stuffed animal, a quilt made by great grandma, the family’s beloved pet). But don’t let the prop be an odd distraction – make sure it “makes sense” being in the photo and blends well with the whole vision you had in mind for the shoot.