Our differences are truly our strengths since Nick photographs from a man’s perspective and Natalie from a woman’s point of view. It’s getting dual artistic coverage of your portrait session from individuals who see life through different lenses! Because we’ve photographed so many sessions together, we remain calm and happy regardless of the circumstances. We want our clients to be at ease because the best pictures happen when people feel free to be themselves! Every single person is uniquely different from the next so we spend time getting to know each client personally so when we create photos together, they reveal who they truly are.
But once you’re in front of the photographer, what do you do besides smile? We’ve combined a variety of maternity photo ideas for any mood. You’re sure to find plenty of inspiration from humorous to serious, and artsy to classic. In anticipation of your little one, don’t forget to share the great news of their arrival with an equally sweet birth announcement.
Jason -- Sorry for the late reply! For me, it's all about personality. I've had families who all wore gaudy Hawaiian shirts (you would think it would be horrid with the clashing, but it actually worked beautifully!), all in shades of (color), University sweatshirts, swimsuits and scuba gear, sports uniforms, whatever. Their personality and their own flavor should guide their clothing. As a general rule, I do ask that they don't mix wild patterns (with the one exception above) but other than that, I figure I can work it out by who's standing next to whom, if that makes sense.
For this type of pose I usually move my couch cushions out of the way and put the baby all the way down on the floor. Then I stand on a chair near him and photograph him from directly above (see the first photo below). But if the baby really wants to turn her head to the side it’s worth hopping off the chair and lying down right next to her to get a few photos that show her face better (second photo below).
A good list Zakk. I am now retired from wedding photography. I started off in the film era and then transitioned to digital.I worked out a shot list early and kept it on 4 cards in my top pocket until it became memorised and I knew what I was doing. Here is a link to my blog where I wrote about my shotlist. In preparation I also found a shoot timetable ,worked out with my couple ,was essential to things running smoothly, Someone once said if you fail to plan you plan to fail. https://geoffthompsonsblog.blogspot.com.au/2011/07/wedding-photography-s... keep up the good work.
3. Evidence of happy clients. You can probably see this in two forms. One is through reviews or testimonials on their website. Another way to see that they have happy clients is to see if people seem to come back to them year after year. If you scroll through their blog, it’s probably a good sign if you see many of the same families more than once.
These close-up “detail” shots are not only adorable but they are great accompanying images for albums and accordion books. Because of the sensitive focus on a macro lens, the best time to get these images is when the baby is very still (in their deepest sleep). As shown with the newborn workshop where you get to shadow me on an actual on-location shoot, when I notice the baby is deep in dreamland, I’ll just stop whatever I’m doing and I’ll pull out my macro for 10 minutes and get all the shots that I need.
that blend with the the vibe of the session as well, but keep them simple and meaningful. A handful of flowers that are a natural, neutral color or that coordinate with color pops in the subjects’ clothing, a vintage camera, a basket of apples, or the absolute best type of prop is something that is meaningful to the subject (grandpa’s vintage camera, their favorite stuffed animal, a quilt made by great grandma, the family’s beloved pet). But don’t let the prop be an odd distraction – make sure it “makes sense” being in the photo and blends well with the whole vision you had in mind for the shoot.