Some photographers work only on location; others work only in studio with backdrops. Think about the setting you prefer, as well as your timing constraints. Do you have extended family visiting for a limited time who will be part of your portrait session? If so, even if you prefer outdoor photography, you may still need a photographer who also has a studio so that you have a rain plan.
Twenty-Three Photography offers a full-service, custom portrait experience. We cater to those who can’t stand the traditional book, stress, and receive a cd sessions. Because I want my clients to have beautiful MEMORIES, as well as beautiful photos. Your family is special and unique, your portraits should reflect that. My job is to be a storyteller and create images that evoke raw emotion to convey the love inside you.
Photographers often want the bride and groom to stand in flower beds, near water, and in other unexpected places. Brides don't like to do it because they are worried about their dress getting dirty on the wedding day. A simple fix is for the photographer to bring a white sheet that the bride can step on to protect the dress. The sheet is then tucked under the dress and nobody knows! (Thanks Stacey Knight)
I love to celebrate each of my client’s uniqueness during your photographic session. No experience will ever be the same, which is what I love the most about what I do! I strive to learn as much as I can about each individual in your family before our photo session so that each individual’s personality shines through in your images. Don’t forget to request my style guide for great tips on what to wear, location ideas, and everything in between!
Jennie Pyfferoen is a maternity and newborn photographer who specializes in capturing photographs of newborns, babies, children, families and pregnant women. Her work is based in Nashville, Tennessee where she has her own studio. Jennie offers her services in Nashville, Brentwood, Fairview, Franklin, Hendersonville, Mount Juliet, Gallatin, Spring Hill, Leipers Fork and she also shoots on location in other surrounding areas.
Talk about the photographer’s style. The first thing to discuss is the style and ideas of the photographer. You will have seen some pictures, but you will be able to get better and more complete understanding by talking it through in person. Ask the photographer to describe the style they shoot in, and be sure to ask any further questions if anything is unclear to you.
As you’re looking through portfolios, keep an eye out for what identifies the photographer’s portfolio as distinctly their own. It might be that they take super crisp images with really high quality lenses. Or maybe they use their grandfather’s camera to take old school black and whites. A photographers’ favorite tool will tell you a lot about the way they see the world (and while you can get an idea of this from their portfolio, don’t be afraid to ask them about it. I could geek out forever over my plungercam. And any photographer who uses film could spend hours telling you why).
“I will always treasure the time we got to spend with Kate. She was warm, funny, sweet, and so relaxed. She put us all at ease, and as the mother of a very wild two-year-old, I can assure you that is no easy feat. Kate is a complete professional, delivering exactly what she promises when she promises it, and the entire experience from booking to delivery was easy, fun, and totally worth it.”
Bad lighting is the enemy of good photography. Unfortunately, unless you are professionally trained, you might not know that the midday sun is not the best light for photographs. Hamilton explains, “You actually want your subjects to be in shade rather than direct sun and you also don’t want them facing the sun because this causes squinting.” Consider doing your photo sessions in early morning or late afternoon for beautiful soft light. Cloudy days are also great for photo shoots.
Once you have the baby posed, step back and look at the whole picture for a few minutes, checking for details that need fixing. If her hand is visible, make sure you can see all her fingers are visible – sometimes one or two get tucked into a fist and then if the photo it looks like the baby only has three fingers. Also, be sure baby’s eyes are closed completely – in the second photo above the baby’s eyes are not quite closed. A simple stroke down the bridge of her nose will cause her to close her eyes all the way. Make sure the headband is positioned how you’d like, and the background blanket is free of wrinkles, etc. Above all, make sure the baby looks comfortable and peaceful – if not, try again.
Capturing the details of the entire day help to tell the complete story of your wedding. We tell our brides to be in the finishing stages of hair and makeup when we arrive, but not in the dress yet. While you and your bridal party are in the finishing stages of hair and makeup, your photographer should arrive to photograph the details of the wedding that you are going to want to remember. These details include your dress hanging, shoes, jewelry, and bouquet.
Once everything's in one format, be steadfast in backing up your digital files, no matter the means. If you store your images on an external hard drive, DVD, or a storage Website, remember it's only effective if your images make their way onto the device. Get into the habit of backing up your photos immediately by considering it the final step of your uploading process.
Give your service scope by getting a wide, panorama-style shot of your ceremony while it's unfolding, says Rebecca Yale. "This is an image you’ll never get to see for yourself on the wedding day since you're part of the ceremony and can't see the full scene," she explains. "It's such a fun and unique perspective, especially with all your guests in it."
This is probably one of the most important wedding photography tricks. Preparation is the key to success with weddings. Being one step ahead can give you an advantage and allow you to capture great moments throughout the day. Spare batteries, blank memory cards, running order with timings and a backup plan are all essentials to being as prepared as possible for every eventuality.
Safety is my utmost number one top priority when handling your baby, so either mom or dad will be my spotter/assistant. All eyes and hands are to be kept around baby during posing. During the session I will be handling and posing baby, but don’t worry I have plenty of experience handling a newborn (don’t know if I mentioned I have three boys of my own!) I will hold and care for him or her as if they were my own, I promise!
If you are looking for an adventure elopement any type of adventure photography sessions you MUST have these two amazing humans do it!! Gabi & Brandon are such amazing photographers and it shows in their work!! My husband and I Never had professional pictures taken before so we were a bit camera shy but immediately got over that with them by our sides. Every picture came out to be absolutely beautiful. Seriously, just pick these guys as your photographers...they were born to do this. You will not be disappointed!!
The #1 way to ensure a successful newborn session is to make sure your client knows what to expect and how to best prepare for the session. I send my prep tips a few days before our session to get mommy and daddy prepared. In fact, in our newborn workshop includes the email templates that I send & has a full chapter dedicated to adequate preparation before the session. Many moms choose to feed while I unpack and setup. I have them feed the baby in only a diaper and a loose swaddle blanket so we don’t have to bother the baby with undressing them. I also let them know what I’ll be bringing, the approximate length of the session, to expect messes and frequent feedings, and to warm the house, even though I will be bringing a heater.
For example, I (obviously) use the photos I shoot for work differently than than those I shoot on my own time--and because the two overlap, I end up with a lot in both locations, but I keep them organized differently. At work I put everything in folders by camera name; at home, by date and location of the shoot. For a coarse level of retrievability, if you just use a utility to rename all the files to something basic but meaningful, like "stair cats in Queens," (plus a file number increment, of course) you can search the file system. Then it's pretty easy to visually scan the thumbnails for the photo you want. If you'll need to find photos more frequently, then it pays to step up to a program that, say, lets you flag the photos you like; flagging quickly narrows down the results of your search when you're looking, but doesn't take a lot of time up front (especially if you use software that lets you quickly scan and flag).
It can be hard at times to remember that you are at a wedding and NOT a photoshoot. If you make the wedding all about the photos and as behave like you are the most important person the couple won’t thank you for it. Some couples are extroverts and won’t mind but others may be more reserved. Just find some middle ground between them having a good time and you capturing what you need.
Quality should be the primary driving factor because no matter how great the deal, you barely have time to do it once, let alone time (or money) to do it over. So what do we mean when we say “quality?” While “style” may influence the overall appearance and presentation of the final gallery, a level of technical expertise should be demonstrated by the photographer. Images should be properly exposed. The highlights and shadows of the images should not be void of any color, to bright or too dark, saturation should not be so intense that that colors will be comprised when they are printed. Subjects should be in focus and images should never be be pixelated or posterized when printed. Composition should be intentional and the photographer should be able to capture subjects with flattering light and angles. Images shouldn’t be “saved” by Photoshop actions and should look as good printed at 24×30 as they do online. Typically being able to CONSISTENTLY perform to a level of quality requires significant experience rather than just a hobbyist who can pull out 5-10 great shots out of 100 snapped. One of the best ways a photographer can demonstrate quality and experience is to have a portfolio and a broad representation of full client galleries to show.
Bonus tip: If your camera has video capabilities you have a neat way of doing manual focus. Turn on the Live View so you can see the image on your screen. Hit your “zoom” button (it may have a magnifying glass or a “+” sign on it) once or twice. The image on the screen will zoom in (your lens doesn’t) so you can see what is in focus which allows for much most precise manual focusing. Press zoom again to return to normal view and turn off Live View.