As with all photography lighting is key. If you are shooting inside and can’t afford expensive lighting use the most flattering and cheapest form of light there is – sun light! Position your group facing or parallel to a large clean window, if it is a particularly bright day cover it with a thin veil of material, such as a net curtain or peg a white cotton sheet across to act as a diffuser for softer, more flattering light.
I think the best way to get family pictures is a little of both – print and digital – especially since photographers generally charge a lot for their rights to be released via digital images/CDs. If I am limited in the package deal to only 1 image on a CD (like when we’ve gone to Sears or JCPenney), then I generally choose the family group shot as my one image, and get prints of the individual shots.
One of the most helpful tips I’ve been given about Wedding Photography is to get the couple to think ahead about the shots that they’d like you to capture on the day and compile a list so that you can check them off. This is particularly helpful in the family shots. There’s nothing worse than getting the photos back and realizing you didn’t photograph the happy couple with grandma!
Once you have your first look and bride and groom portrait session, the rest of the family can join in on the fun. During this time, the rest of the wedding party will come in to take formal wedding photos with the bride and the groom. Make sure that everyone in the wedding party and immediate family is there on time so that no time is not wasted scrambling to get everyone together. Groomsmen should have their buttoners pinned and Bridesmaids should have their bouquets in hand. If there are children in the wedding party, they should be ready as well.
As you know, photographers are artists – and you are investing in art that will give you a portal back into this exact moment. You are also investing in giving life to a story that you will be sharing with your child(ren) for the rest of their lives. When you tell them how much you loved them, or how strong they were, or how tiny your first house was, or about the dog they grew up with, they hear your words… But when you show them the pictures, and read words you wrote in that moment, they truly get it – and they love those stories. They love them next year, and they love them in a different way the year after… I see it over and over again. And I experience it first hand with my own childhood photos.
The 6fps shooting makes it a viable option for motion capture, if that is something you are into, as well — and the built-in stabilization allows you to take some pretty crispy shots — even with the jitters. We all know how it is when trying to shoot in a chilly bit of weather. Well, your shivers aren’t going to affect the image quality on this beast of a camera.
Claire Smith Photography is a photography studio located in Dallas, Texas. Claire Smith is a natural light photographer who specializes in newborn, baby, child, and family photography. Claire’s style is casual, modern, and fun. Claire Smith Photography aims to document a child’s unique personality, opting for candid shots rather than directed poses.
I'm so glad you've found my Kansas City photography studio! I have a beautiful, spacious studio space in the Red Bridge neighborhood of south Kansas City, just 5 minutes from the State Line and 435 area. Whether coming in for newborn, baby, child, or family session you'll find plenty of room to spread out, props and backgrounds to work with, and amenities to make you and your family comfortable.
Newborns aren't the only subject we love to photograph... we love to capture all of the milestones of family life. Using a photojournalistic style approach to photography, we capture your baby learning to stand, your 5-year old riding his bike with no training wheels, and your teenager's last photograph before she becomes an adult. Go to our Bella Life section to view samples of these important family moments.
One thing that I’ve done at every wedding that I’ve photographed is attempt to photograph everyone who is in attendance in the one shot. The way I’ve done this is to arrange for a place that I can get up high above everyone straight after the ceremony. This might mean getting tall ladder, using a balcony or even climbing on a roof. The beauty of getting up high is that you get everyone’s face in it and can fit a lot of people in the one shot. The key is to be able to get everyone to the place you want them to stand quickly and to be ready to get the shot without having everyone stand around for too long. I found the best way to get everyone to the spot is to get the bride and groom there and to have a couple of helpers to herd everyone in that direction. Read more on how to take Group Photos.
This is more of a personal choice, but I tend to choose clothing that is timeless, perhaps a little vintage in style. Whatever your style is, make sure your choices won’t look terribly dated years from now (or months in the case of some quickly passing trends). I personally love to use softer or neutral tones (with a color pop here and there) and classic shapes, then add interest with accessories, layers and lots of interesting textures. I also happen to love bright and colorful as long as it’s not obnoxious or distracting from the subject’s personality and face. Of course, this is a personal choice and many families will choose to go all out in the latest trends, thinking of their clothing choices as a sort of time stamp in their images.