For us, all we wanted to do all day from the second we got up in the morning was to see one another! Our wedding day was such a huge day for us and we wanted to experience as much of it as we could together. Plus, we aren’t exactly huge fans of being the center of attention, so seeing each other before the ceremony gave us a sense of “ok, we can do this together.” When Marianne walked down the aisle, both of us were just floored because it wasn’t until that moment that it hit us: we are getting married today. We are getting married right now! This is the beginning of the rest of our lives together!
If you decide to photograph in a state or a national park, always be very careful with rules and regulations – most state and federal parks do not allow commercial photography without a permit. Always do your homework beforehand, so that you do not get yourself kicked out by a park ranger in the middle of a shoot – apply for permits months in advance. Personally, I avoid the hassle of applying for permits and typically stay away from state or government-owned lands and facilities.
If you're planning on taking your engagement photos in winter, don't let chilly air or unpredictable weather keep you from looking stylish. Whether you're rocking a sharp cocktail dress and suit or New Years Eve–inspired glitter, this is the perfect season for you and your fiancé to get a little bit festive. (And, if bad weather does come your way, we've got you covered there too.) Check out some of our favorite winter engagement photos outfits below.
Yep, it's true… and it has been true for over 150 years.  If you want the dress to stay white instead of a dull gray, then you'll probably need to dial in some positive exposure compensation.  The light meter in your camera will see the white dress and think it's bright, but it isn't bright–it's just white!  The camera tends to compensate for this large “bright” spot in the photo and makes the exposure of the dress too dark.  Positive exposure compensation fixes this problem in a jiffy (Thanks Jess Joey)
Sometimes I find an interesting subject, but just not an interesting place to photograph it from.  If you look at professional photos, they are very often taken from non-obvious spots.  For example, a photo of a CEO will be photographed from down low, looking up at the person to make him or her look more powerful.  Or, in the case of photographing a city, we often want to get to a very high perspective to shoot down and see the whole city.
Posed/studio sessions – Typically must be done within the first 2 weeks of birth when the baby is very sleepy and “mold-able”.  The focus in this type of session is on shots of the baby looking perfect, usually in blankets, wraps, hats, & headbands.  The session can last up to 4 hours with feeding, potty breaks, and posing.  Editing this type of session also takes quite a bit of time as each image needs to go through Photoshop individually to get a polished end result.
Hi Lina 🙂 I am so happy that you loved this post! Many find their true passion is with Newborn/Baby Photography, but aren’t sure where to start. This post is a great start for quick tips but because of all of our readers who wanted more info, and more detailed information, we created a very detailed and complete Newborn Photography Workshop, it might be something that would be perfect for you. Feel free to check it out right here. If any questions, just email me 🙂 Thanks for stopping by!
Nope. Makeup artists and hair stylists are infamously bad about keeping schedules (but we love them anyways and they do awesome work!) It is not really their fault since most of the time they can’t schedule a consultation and meet up with every single person whose hair and makeup they are doing before they give you a time estimate, so they really can’t be certain of what all they are going to have to do on the day of your wedding (we have even seen makeup artists unexpectedly have to cover up groomsmens’ black eyes from sports accidents on the morning of the wedding!). They will also be a little slower on your actual day than they were at your hair/makeup trial because they are working their hardest to make you look the best you can and they really want to get it just right, which is awesome! Regardless of whether it is their fault or not, they can’t send people out without them being done and if the hair and makeup professionals are running late, it is usually photo time that gets cut to make up for it. Instead of relying solely on their estimates, give yourself a little bit of a buffer (approximately 5-10 minutes more per person being done than what your professionals are asking for), just to be safe.
Great shots. What I've been struggling with recently is the balance between only release your best shots and how many I should deliver as proofs to a client ( along with what the concept of a proof is ). Whilst each of the examples above is a single shot I betting there were many more to choose from as an output from each session. Many of my portrait shoots are around 45 mins to a bit over an hour and in that time I will take a range of head, mid body and full length shots along with various groups. My last session took a bit over one hour with a family of 5 and resulted in around 200 pics ( a good number of which were burst mode of kids jumping off Walls ). I selected a fair range of around 60-70 pics and did some basic proof edit cropping and light balancing, the standard stuff and delivered a disc to the client. As I am starting out my model is to deliver a disc to the client rather than sell prints I don't have that bandwidth just yet and I price accordingly with that in mind. I've had some interesting conversations since that made me think I should have delivered fewer pics ( maybe 1 or 2 of each pose ) which would have meant a delivery set of about 30 pics. So what is the right balance ?
I find the family photo part of the day can be quite stressful. People are going everywhere, you’re unaware of the different family dynamics at play and people are in a ‘festive spirit’ (and have often been drinking a few spirits) to the point where it can be quite chaotic. Get the couple to nominate a family member (or one for each side of the family) who can be the ‘director’ of the shoot. They can round everyone up, help get them in the shot and keep things moving so that the couple can get back to the party.
As we reflect on all our memories, it’s hard to recall ones that don’t include our families. There’s something special about looking back on family portraits over the years past. Family photos are a moment saved in time that will be cherished forever. So when it comes to what to wear for family picture day make sure you plan ahead. Whether you are taking family photos for your annual photo Christmas card or looking to get an updated shot to hang above the mantle, you’ll want you and your family to look your best doing so.
Know someone in your area who has gotten beautiful photos taken of their own family? Reach out and ask them who they hired! Not only can you feel more secure knowing they’re recommended, but a lot of photographers offer bonuses or discounts when you’re part of a referral. And, if no one comes to mind, you could try posting a status update, asking if anyone can recommend a local photographer.

Newborns aren't the only subject we love to photograph... we love to capture all of the milestones of family life. Using a photojournalistic style approach to photography, we capture your baby learning to stand, your 5-year old riding his bike with no training wheels, and your teenager's last photograph before she becomes an adult. Go to our Bella Life section to view samples of these important family moments.


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Our baby is pretty predictable in terms of his daily routine (we seem to have got him pretty settled into one already somehow) but there are moments all day long that he does something cute, disgusting, funny and worth capturing. Without the camera handy you’ll miss these moments as they are usually fleeting. We tend to leave our DSLR in our livingroom where we spend most of our time with him but also have a point and shoot in the bedroom for other shots.
3.  Evidence of happy clients.  You can probably see this in two forms.  One is through reviews or testimonials on their website.  Another way to see that they have happy clients is to see if people seem to come back to them year after year.  If you scroll through their blog, it’s probably a good sign if you see many of the same families more than once.
that blend with the the vibe of the session as well, but keep them simple and meaningful. A handful of flowers that are a natural, neutral color or that coordinate with color pops in the subjects’ clothing, a vintage camera, a basket of apples, or the absolute best type of prop is something that is meaningful to the subject (grandpa’s vintage camera, their favorite stuffed animal, a quilt made by great grandma, the family’s beloved pet). But don’t let the prop be an odd distraction – make sure it “makes sense” being in the photo and blends well with the whole vision you had in mind for the shoot.
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